Balázs HORVÁTH. pikokozmosz millikozmosz pikokosmos millikosmos SCORE. for soloistic tuba and ensemble. to Roland Szentpáli 2015/2017

Átírás

1 Balázs HORVÁTH pikokozmosz millikozmosz pikokosmos millikosmos for soloistic tuba and ensemble to Roland Szentpáli 201/2017 SCORE Balázs Horváth, 2017

2 2 Instrumentation Flauto grande (anche Flauto piccolo) Fl. (anche Fl. picc.) Oboe 2 Clarinetti in Sib (2. anche Clarinetto basso in Sib) 2 Cl. (2. anche Cl. basso).) Fagotto (anche Controfagotto) Fg. (anche Cfg.) Corno in Fa Tromba in Do Trombone Soloistic Tuba Pianoforte Percussioni Perc. 2 Violini 2 Vl. Viola Violoncello Contrabbasso Partitura in Do / All the parts are written in C (concert pitch) Durata / Duration: ca. 11 min. (I 1, II 2, III, IV 1, V 4, VI ca. 9 0 ) A tuba vélhetően az utolsó zenekari hangszer, melyre Bartók szólisztikus darabot komponálna. Némely zenekari kompozíciójában előfordul azonban rödid, de jelentős tuba szólóállás (pl. Concerto 2., 4. tétel, Táncszvit). Ezek közül a Táncszvit szólója, valamint annak tételrendje szolgált inspirációs forrásként. A hat részből álló forma, illetve a tételek és a szakaszok időtartama mindeközben a Fibonacci számsorra épül (ld. időtartam másodperc alapon). A tuba a darabban elsődleges szerepet tölt be, azonban ez nem tubaverseny. Egyes pontokon a tuba a tutti együttes tagja, másutt vezeti a zenei történést, megint másutt pedig valódi szólóhangszer. Tuba is possibly the last instrument that Bartók would have used solistic. However, you may find short but essential solosections for tuba (e.g. Concerto 2nd and 4th movement, Dance-suite). Among these pieces the first theme of Dancesuite was one of my main inspirations as well as the movement structure of the piece. This sixpart form and the duration of the movements and the sections are built on the Fibonacci-series at the same time (see duration of movements in seconds). The Tuba has primary role in this piece but this is not an ordinary concerto for tuba. Sometimes it is part of the tutti ensemble, sometimes leads the musical events and sometimes it is real solo instrument above the ensemble. Bemutató: PETER EÖTVÖS CONTEMPO- RARY MUSIC FOUNDATION@TONHALLE, Zürich (CH), június 26. Szentpáli Roland tb., THReNSeMBLe, vez.: Eötvös Péter World premiere: PETER EÖTVÖS CONTEM- PORARY MUSIC FOUNDATION@TON- HALLE, Zürich (CH), 26 June Roland Szentpáli tb., THReNSeMBLe, cond. by Péter Eötvös

3 Dinamika: A kottában szereplő dinamikai jelek a játékosok által megszólaltatott hangerőt jelentik. Ezért egyes szólamokban a dinamikai jelek időnként segédjelzéssel láthatók: mf (= p), ami azt jelenti, hogy a játékosnak mezzoforte dinamikával kell játszani, ami az adott körülmények között piano fog szólni. Ennek oka a speciális játékmód (pl. nyelv-, csak levegőfúvás (zaj), stb.) vagy a rézfúvósok által használt sordino. A karmester számára: a tételek között olyan mértékű szünetet kell tartani, mintha legalább néhány perces lenne egy-egy tétel. A legtöbb zenész (fafúvósok, kürt, trombita, zongora, vonósok) műanyag flakont használ hangszerként a darab ütem közötti szakaszában. Lehetőleg aránylag puha, könnyen nyomkodható, ásványvizes, ún. pillepalack legyen. A flakonokat finoman, halkan nyomogatni, gyűrögetni kell véletlenszerű ritmusban. Kövesd a kottában a jeleket, hogy kb. mikor kell játszani, azonban ettől kissé el lehet térni. Eleinte nagyon kevés hangot játssz sok szünettel, a fff dinamikát elérve folyamatossá válhat a hang. Dynamics: The dynamic markings in the score are performers dynamics. Therefore auxiliary dynamics are to be found at certain points in some parts, e.g. mf (= p). This means that the musician must play mezzoforte, which will sound piano in the given circumstances. The reasons for this are the special playing techniques (e.g. tongue-, just breathing out (noise), etc.) or the mutes used by the brass players. Conductor s note: keep as much break between the movements as if they were at least a few minutes long ones. Most players (all woodwinds, horn, trumpet, piano, all strings) need to use a Plactic bottle between m It should be relatively soft and easy-to-crinkle like that of a mineral water bottle. Gently press and crinkle it with random rhythm. More or less follow the signs in the score but you can slightly differ from it. In the beginning play lots of rests and a little sounds. Reaching the fff measure the sound can be continuous. Jelmagyarázat Tutti Glissandok: a csúszás a kezdő és érkező hangok közötti teljes időtartam alatt történjen meg. Negyedhangok vagy kisebb hangközök: a darabban szereplő negyedhangok vagy ennél kisebb hangközök jeleit ld. alább (ezek közül nem szerepel mindegyik a műben): Explanations of the special signs Tutti Glissandi: the slides are to be played at the complete duration between the starting and the arriving notes. Quarter-tones or smaller intervales: the quarter-tones or even smaller alterations are shown as below (not all of these signs can be found in the piece):

4 4 t or p Fafúvósok Csak levegőt fújj a hangszerbe (zaj) az adott billentyű lefogásával. A t vagy p jelzi, ha szükség van az adott mássalhangzóra A hangmagasság irányát a szájtartás feszességével is kövesd, hogy a zajosan szűrt hangmagasság jól hallható legyen. Multifónia, melyben az adott hang domináljon (lehetőleg harmonikus jellegű hangzás legyen). (, Cl.) Woodwinds Blow into the instrument (noise) using the given finger-key. When t or p is given, blow / say the given consonant. Follow the pitches with the tension of the mouth so that the direction of the filtered sounds is clearly audible. Multiphonic sound in which the given note should dominate (it should be a rather harmonic kind of multiphony). (, Cl.) Jet-whistle (Fl.) Jet-whistle (Fl.) Puszihang a náddal vagy a fúvókával Sound of a kiss with the reed or mouthpiece. Nyelv-pizzicato (Fl.); Tongue-pizzicato (Fl.); quasi slap Inkább puha nyelvütés, mint egy zajos staccato (Cl.) Rather soft slap but noisier than a normal staccato (Cl.) Rézfúvósok Brass Rézfúvós szordínók: : hagyományos sordino (con s) : straight, whisper, wawa, harmon (wawa tüske nélkül) : wawa, harmon (wawa tüske nélkül) Brass mutes: : normal mute (con s) : straight, whisper, wawa, harmon (wawa without stem) : wawa, harmon (wawa without stem) ; Gestopft; : fojtva (kézzel); normál módon, nyitva ( ) ; Nyitva; zárva (wawa vagy harmon sordino, ) a jelzés a következő változásig érvényben van. Puszihang a hangszerbe Gestopft; : closed (with the hand); normally, open ( ) Open; closed (wawa or harmon mute, ) hold the position until the next new sign. Sound of a kiss into the instrument.

5 t or p Csak levegőt fújj a hangszerbe (zaj) az adott billentyű lefogásával. A t vagy p jelzi, ha szükség van az adott mássalhangzóra A hangmagasság irányát a szájtartás feszességével is kövesd, hogy a zajosan szűrt hangmagasság jól hallható legyen. Levegőbefúvás (ld. fentebb), az adott magánhangzók formálásával pisztolylövés-szerű hang (Tb.) A lehető legmélyebb; legmagasabb hang (bármilyen hang). (Tb.) Brekegéshang utánozd a brekegés hangját a száddal, lehetőleg a hangszerbe (Tb.) Énekelj bármilyen hangmagasságot a hangszerbe (Tb.) Belégzés a hangszeren keresztül (Tb.) Sóhajtás a hangszeren keresztül (Tb.) Blow into the instrument (noise) using the given finger-key. When t or p is given, blow / say the given consonant. Follow the pitches with the tension of the mouth so that the direction of the filtered sounds is clearly audible. Blow (see above), with shaping the given vowels pistol-shot-like sound (Tb.) Very low or very high sound (any pitch). (Tb.) Croaky sound imitate the croaking of a frog with your mouth, possibly into the instrument (Tb.) Hum any pitch into the instrument (Tb.) Breath-in through the instrument (Tb.) Sigh through the instrument (Tb.) Zongora Piano Szükséges eszközök: Slide whistle / Tolókás síp, Plastic tube / Műanyag cső Plastic plectrum / műanyag plektrum pl. telefonkártya), glass / üvegpohár (vagy gitárslide) Objects needed: Slide whistle, Plastic tube Plastic plectrum (e.g. phone card), glass (or guitar slide) ; Kld a húrt (hosszában) a plektrummal. Pengesd a húrt; köröm- vagy a húrokon keresztbe Helyezz egy üvegpoharat a húrokra és mozgasd (húrirányban), hogy a hangmagasság felfelé csússzon. (A nyíl a hangmagasság irányt mutatja.) Scratch the string lengthwise with the plectrum Pluck the string; nail- or across the strings Place a glass on the strings and move it (lengthwise) to create upward. The arrow shows the pitch direction.

6 6 (muted) Tompítsd le a húrokat pengetés közben helyezd az ujjaidat vagy a tenyeredet a pengetett húrokra. (Ne üveghangot játssz!) Érintsd meg a húrt (akármelyik felhangnál) Brűzölj a csőbe mint egy rézfúvós hangszerbe. Gliss. a Slide whistle-vel Damp the strings during playing by placing your fingers or palm on the strings. (NO harmonic) Touch the string (at any harmonic) Buzz into the tube as if a breass instrument. Gliss. with the Slide whistle Gliss. a hangolótüskék között (plektrummal) Gliss among the tuning pegs (with the plectrum) Ütősök Percussion Percussione 1. Vibraphone, 1 Cow-bell (Tehénkolomp: g ), 4 Beer Cans ( sörösdoboz kb. literes), 1 Wood-block, Piatto sospeso (függesztett cintányér), Metal guiro (Fém guiro, pl. grillrács), Metal chain (fém tányérban), Vibraslap, Ratchet Verők: hard mallet, medium hard mallet, soft mallet, rubber headed mallet, wooden stick, thin metal stick Percussione 1. Vibraphone, 1 Cow-bell (G4), 4 Beer Cans (c. - liter), 1 Wood-block, Piatto sospeso (Suspended cymbal), Metal guiro (e.g. grill grid), Metal chain (in a metal plate), Vibraslap, Ratchet Beaters: hard mallet, medium hard mallet, soft mallet, rubber headed mallet, wooden stick, thin metal stick Notáció: Notation: Vibr. Cowbell 4 Beer-cans Wood-block Ptto. sosp. Metal guiro Metal chain (in metal plate) Vibraslap Ratchet Percussione 2. Timpani (ossia: csak a két mélyebb), Paper box (pl. nagyobbfajta cipősdoboz), Piatto sospeso (függesztett cintányér), Gran Cassa (Nagydob), Pedal Bass-Drum (lábdob; ossia: G. C. vagy mély Timp.), Finger cymbal (ujjcintányér), Tamburo piccolo (con corde; Percussione 2. Timpani (ossia: the two lower ones only), Paper box (e.g. rather large shoebox), Piatto sospeso (Suspended cymbal), Gran Cassa (Bass Drum), Pedal Bass-Drum (ossia: G. C. or low Timp.), Finger cymbal, Tamburo piccolo (Snare Drum with snares; con corde), Flexatone, Tam-

7 7 kisdob húrral), Flexatone, Tam-tam (közepes), Vibraslap, 4 Temple-blocks, Paper bag (felfújható és kidurrantható papírzacskó) tam (medium size), Vibraslap, 4 Temple-blocks, Paper bag (for blowing up and bursting) Verők: hard mallet, wooden headed mallet, rubber headed mallet, hard glsp. beater, hot rod (hurkapálca nyaláb), wooden stick, medium hard timpani beater, hard timpani beater, hard tamtam beater, medium soft beater, wooden stick, brush, superball, (ossia: hard G. C. beater) Notáció: Timp. (with extreme high pitches) Timp. Kettle Beaters: hard mallet, wooden headed mallet, rubber headed mallet, hard glsp. beater, hot rod (loose bunch of sticks), wooden stick, medium hard timpani beater, hard timpani beater, hard tam-tam beater, medium soft beater, wooden stick, brush, superball, (ossia: hard G. C. beater) Notation: Paper box Ptto. sosp. G. C. Ped B-Dr. Finger cymbal Tamb. picc. Flexatone Tam-tam Vibraslap 4 Temple-blocks Paper bag Percussione. Marimba, Nipple Gong (cisz), 2 Cow-bells (Tehénkolomp: c, cisz ), Bottle (vastag falú befőttes üveg szájjal lefelé fordítva), Paper box (pl. nagyobbfajta cipősdoboz), Vibraslap, 2 Wood-blocks, 2 Metal tubes (fémcsövek), Sizzle cymbal, Tamburo piccolo (con corde; kisdob húrral), Wooden guiro (Fa guiro), Tamburo basco (csörgődob állványra rögzítve), Spring coil (Fémspirál), Hi-hat Percussione. Marimba, Nipple Gong (C-sharp), 2 Cow-bells (C, C-sharp), Bottle (jar thick walled, upside down beat the bottom), Paper box (e.g. rather large shoebox), Vibraslap, 2 Wood-blocks, 2 Metal tubes, Sizzle cymbal, Tamburo piccolo (Snare Drum with snares; con corde), Wooden guiro, Tamburo basco (tambourine fixed on a stand), Spring coil, Hi-hat Verők: wooden stick, thin metal stick, soft beater, hard mallet, soft mallet, rubber headed mallet, hard glsp. beater, thin metal stick, brush, superball Notáció: Beaters: wooden stick, thin metal stick, soft beater, hard mallet, soft mallet, rubber headed mallet, hard glsp. beater, thin metal stick, brush, superball Notation:

8 8 Stop-ütés Dead-stroke (damped) Tartsd a hangszert tompítva (damped) miközben játszol. Dörzsöld a hangszert (általában körkörös mozdulat). Damp the instrument during playing Rub the instrument (generally with a circular motion). Vonósok Strings Pizz. (arpeggio) a láb mögött. () Pizz. (arpeggio) behind the bridge. () Nyomd a vonót a húrra a kápánál (lehetőleg két kézzel tartva), és mozgasd lassan hosszantilag (lengthwise). A hangzás recsegő, horkantó lesz. Használd az adott húrt. (, ) Préselt vonó (a játékmód csak az adott hangra, frázisra vonatkozik). Feloldása: Press the bow against the string at the frog and move it slowly lengthwise. The sound is cracking. Use the given string. (, ) Pressured bow (valid only for the given note or phrase). Cancellation: (damped) col legno batt.; col legno tratto Érintsd mind a négy ujjadat a húrhoz (zaj) () A lehető legmélyebb; legmagasabb hang (bármilyen hangmagasság). ½ flageolet érintsd az ujjad a húrhoz üveghangnál erősebben, de a normál hangnál puhábban A hangszer testén játssz. Suhints a levegőbe a vonóval. Fával ütve; fával húzva Touch the strings with 4 fingers (noise) () Very low or very high sound (any pitch). ½ flageolet touch the strings stronger than flageolet but more gently than natural sounds. Play on the body of the instr Move the bow fast through the ( whoosh sound) Strike with the wood; play normally with the wood.

9 Partitura in Do Flauto grande / Flauto piccolo Oboe Fl. grande pikokozmosz => millikozmosz pikokosmos => millikosmos I HORVÁTH Balázs (*1976) Clarinetto 1 in Si Clarinetto 2 in Si / Clarinetto basso in Si Cl. in Si Fagotto / Controfagotto Corno in Fa Tromba in Do Trombone Soloistic Tuba Pianoforte Percussione 1 Percussione 2 Percussione Violino 1 Violino 2 Viola Violoncello Contrabbasso con s harmon con s harmon Cfg. 4 Beer-cans thicker end of wooden stick Tamb. basco brush = = () secco secco secco sul II e III muta in Fg.

10 2 II Flauto grande Fl. Oboe Clarinetto 1 in Cl. Si 1 Clarinetto Cl. 22 / in Cl. Si b. Fg. Fagotto / Cfg. tongue- quasi slap Fg. muta in Fl. picc. muta in Cl. basso remove the reed! Corno in Fa Trombone Trombone senza s pop "" Soloistic Tuba Pianoforte Percussione Metal guiro thick metal stick Timp. Kettle handle of hard mallet Percussione Percussione Perc. Violino Violino Viola Violoncello Contrabbasso Mar. handle of hard mallet keep vertically STOP poco sul pont. sul pont. 0 sul pont. poco sul pont. poco sul pont.

11 Flauto piccolo Fl. Oboe Clarinetto 1 in Cl. Si 1 Clarinetto basso Cl. (2) 2 / in Cl. Si b. Fg. Fagotto / Cfg. Corno in Fa Tromba in Do Trombone Soloistic Tuba kiss senza s Fl. picc. without reed M M Cl. basso kiss kiss (NO ) croaky voice any pitch jet-whistle I - U I - U I - U "p" I - U I - U I - U III muta in Fl. grande replace the reed! Pianoforte plectrum scratch the strings lengthwise Percussione Cowbell hard mallet Percussione G. C. superball Percussione Perc. Violino Viola Bottle hard glsp. beater hard mallet Paper box lengthwise bow motion "" sul pont. quasi vibr. sul pont. quasi vibr. Violoncello Contrabbasso lengthwise bow motion "" secco

12 4 IV Flauto grande Fl. Fl. grande 2 4 Oboe Clarinetto 1 in Cl. Si 1 Clarinetto basso Cl. (2) 2 / Cl. in Si b. Fg. Fagotto / Cfg. muta in Cl. in Si Corno in Fa Tromba in Do con s wawa = = Trombone con s wawa = = Soloistic Tuba O Pianoforte across strings touch the string (any overtone) press Ped. throughout the break between the two movements Percussione Percussione Percussione Perc. Nipple Gong soft beater superball l.v. Violino Violino Viola Violoncello Violoncello

13 V Flauto grande Fl. Oboe Clarinetto 1 in Cl. Si 1 Clarinetto Cl. 22 / Cl. in Si b. Fg. Fagotto / Cfg. ( 2) Fl. grande with reed sempre sempre sempre Cl. in Si sempre sempre ( 2 2) Corno in Fa Tromba in Do Trombone Soloistic Tuba Pianoforte senza s senza s sempre Ped. pressed from previous movement sempre sempre sempre sempre sim. ( ) Percussione Vibr. rubber headed mallet motor ON (fast) sempre sim. Percussione Percussione Perc. Violino Ptto. sosp. hard mallet l.v. Mar. hard mallet ( 2) sempre () sempre ( 2 2) STOP Violino sempre Viola () sempre Violoncello Contrabbasso sempre gett.

14 6 Fl ( ) ( ) (non arp.) (Vibr.) Perc. handle of hard mallet STOP (Mar.) keep vertically STOP 2 Wood-blocks hard mallet () sempre

15 Fl ( ) Perc. Bottle thicker end of wooden stick STOP = STOP Cowbell thicker end of wooden stick STOP

16 8 Fl muta in Cfg. Perc. (Vibr.) (Cowbell) STOP ( ) 4 Beer-cans rubber headed mallet 2 Wood-blocks thicker end of wooden stick G. C. superball wooden handle of rubber headed mallet Sizzle thicker end of wooden stick motor OFF sul II e III () secco secco

17 Flauto grande Fl. Oboe Clarinetto 1 in Cl. Si 1 Clarinetto Cl. 22 / Cl. in Si b. Controfagotto Corno in Fa Tromba in Do Trombone Soloistic Tuba Pianoforte Percussione con s harmon con s harmon Cfg. = = 4 Beer-cans thicker end of wooden stick 2 G. P. VI 4 G. P. 6 G. P. 9 Percussione Timp. wooden headed mallet Percussione Perc. Tamb. basco brush secco fingertips secco 2 Wood-blocks thicker end of wooden stick Violino Violino Viola Violoncello Contrabbasso () secco secco G. P. G. P. G. P.

18 10 Fl. 7 senza s pop con s wawa 11 = 12 muta in Fg. (4 Beer-cans) STOP Vibr. wooden stick 4 Beer-cans hard mallet thicker end of wooden stick Timp. Kettle wooden stick Perc. (Timp.) (W-bl.) STOP Sizzle handle of hard mallet vibr. lento

19 Fl ( ) 18 muta in Cl. basso 11 7 Perc. hard mallet Mar. hard mallet Vibraslap l.v. Timp. medium hard timp. beater

20 12 Fl. 19 Fg. = senza s con s wawa 7 20 = quasi slap pop "" 21 con s wawa 22 tongue = 2 G. P. 24 muta in Fl. picc. Cl. basso = Vibr. hard mallet Finger cymbal Metal guiro thick metal stick Tamb. picc. brush Perc. (Mar.) keep vertically STOP handle of hard mallet sul pont. 0 on the edge of the key poco sul pont. poco sul pont. poco sul pont. G. P. sul tasto sul tasto sul tasto sul tasto sul pont.

21 Fl Fl. picc muta in Fl. grande 1 = = 7 :6 = = Perc. Vibr. hard mallet secco (Tamb. picc.) 2 Wood-blocks hard mallet col legno batt. col legno batt. col legno batt. col legno batt. 2 Metal tubes rubber headed mallet Metal chain (in metal plate) shake sul pont. sul pont. sul pont. sul pont. touch the strings with 4 fingers (noise) sul pont.

22 14 Fl. 0 Fl. grande 1 2 secco secco secco 4 press silently = = = across strings ( ) secco secco secco = secco = secco 7 :6 = = 7 :6 4 Beer-cans rubber headed mallet Metal guiro thin metal stick Ped B-Dr. ossia: muted G. C. (or low Timp.) hard G. C. beater Flexatone G. C. superball Perc. Spring coil thin metal stick sul II e III l.v. (non unisono) (non unisono) secco secco secco secco 2 Wood-blocks hard glsp. beater STOP STOP Wooden Guiro vibr. senza vibr.

23 Fl M M kiss without reed remove the reed! replace the reed! 1 voice any pitch 7 :6 kiss pop "" "" pop pop "" plectrum scratch the strings lengthwise laugh Perc. 2 Wood-blocks hard glsp. beater STOP 4 Beer-cans rubber headed mallet STOP Metal guiro thin metal stick Spring coil hard glsp. beater Wooden Guiro 4 Beer-cans rubber headed mallet 2 Wood-blocks hard glsp. beater STOP STOP Flexatone Cowbell rubber headed mallet 0 sul pont. (sul pont.) quasi vibr. sul pont. (sul pont.) quasi vibr. sul pont. vibr. senza vibr. secco

24 16 Fl. 40 with reed 41 7 : :6 44 laugh laugh Plastic tube buzz into the tube (as if brass player) buzz 4 Beer-cans rubber headed mallet Metal guiro thin metal stick 4 Beer-cans rubber headed mallet Metal guiro 7 :6 thin metal stick 4 Beer-cans rubber headed mallet Timp. soft mallet 7 :6 7 :6 Perc. Wooden Guiro Vibraslap l.v. "" ( ) ( ) vibr. senza vibr. vibr. senza vibr.

25 Fl. 4 7 : "" pop "" muta in Fl. picc. remove the reed! pop croaky pop kiss "" 48 voice any pitch "p" I - U I - U I - U come prima senza s ( 2 2 2) 49 kiss kiss ONLY reed 17 take Slide whistle Slide whistle Metal guiro thin metal stick 4 Beer-cans rubber headed mallet 7 :6 Perc. Wooden Guiro flagolet flagolet ( 2 2 2) ( ) flagolet flagolet vibr.

26 18 Fl come prima sempre press a glass on the strings and slide come prima G. C. superball sempre come prima Perc. Paper box hard mallet sempre secco sempre come prima

27 Fl. 6 7 M 8 9 M sempre 60 Fl. picc. (not together with Cl.) M jet-whistle I - U I - U I - U 19 M M sempre (not together with ) M (NO ) sempre come prima remove mouthpiece! plectrum scratch the strings lengthwise come prima Cowbell hard mallet sempre Perc. sul pont. quasi vibr. sul pont. quasi vibr. random rhythm beats with l.h. fingers random rhythm beats with l.h. fingers

28 20 Fl. 61 G. P. 62 M (2 2 2) 6 M jet-whistle I - U I - U I - U 64 M 6 come prima 66 sempre M M (not together with Cl.) M M M M M (not together with ) any pitch ONLY mouthpiece only into tube (NO mouthpiece) come prima ONLY mouthpiece (Cowbell) (G. C.) Perc. Bottle hard glsp. beater = hard mallet Paper box G. P. (2 2 2) come prima come prima beat come prima sempre beat come prima beat

29 Fl. M M Freeze Freeze Freeze Freeze Freeze 69 come prima replace the reed! 70 M M M (not together with ) Freeze Freeze come prima Freeze Freeze ( ) continue replace mouthpiece! replace mouthpiece while buzzing - arrive to normal sound ( ) (not together with ) Freeze Freeze Freeze Freeze Perc. Freeze Freeze Freeze Freeze beat Freeze Freeze beat

30 22 Fl. 72 muta in Fl. grande Fl. grande 76 remove the reed! without reed remove the reed! without reed with reed remove the reed! without reed con s Perc. Tamb. picc. brush col legno tratto batt. col legno tratto batt. col legno tratto batt. col legno tratto batt. col legno tratto 0 touch the strings with 4 fingers (noise)

31 Fl. 77 replace the reed! replace the reed! replace the reed! with reed with reed with reed 80 2 senza s con s harmon con s harmon = gestopft = voice instr. (G. C.) superball beat STOP Timp. superball

32 24 Fl = 6 plectrum on the tuning pegs (random and irreg. speed) (Timp.) l.v. sim. l.v. Perc. Nipple Gong soft beater 6

33 Fl Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise 6 Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise 6 Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Perc. Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise 6 Plastic bottle gently press and crinkle with random rhythm with lots of rests - step by step reduce rests and lengthen noise

34 26 Fl cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al (con s harmon) "morse" : = : cresc. poco a poco al plectrum scratch the strings lengthwise cresc. poco a poco al Tam-tam medium soft beater mute after each sound 7 :6 G. C. wooden stick cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al cresc. poco a poco al

35 Fl instr. 27 instr. instr. instr. instr. instr. senza s instr. poch. ( ) pochissimo ( ) (cresc. al) Perc. (cresc. al) Ratchet Tamb. picc. wooden stick instr. instr. instr. instr. ( ) instr.

36 28 Fl / suck the reed 1/2 1/2 suck the reed con s con s whisper = = "p" U "p" U I I A breath-in U O Ü O Ü O fingertips across strings Cowbell thin metal stick Vibr. handle of med. hard mallet keep vertically with random, dense rhythm come prima Perc. Tam-tam hard tam-tam beater Mar. STOP medium hard mallet sempre 4 Temple-blocks hard glsp. beater beat different places of the blocks (filter the sounds) with random rhythm come prima molto sul pont. flaut. 1/2 flag. flag. molto sul pont. flaut. 1/2 flag. flag. 1/2 flag. flag. molto sul pont. flaut /2 flag. flag. flag. sul tasto molto sul pont. 1/2 flag. flag. flag.

37 Fl /2 29 senza s con s wawa = = Ü/I "p" (NO ) O con s wawa = = across strings touch the string (any overtone) Slide whistle Perc. Nipple Gong superball l.v. Wood-block medium hard mallet Timp. superball beat fingernails thin metal stick col legno tratto lengthwise bow motion flagolet (behind the bridge)

38 G. P. 120 kiss senza s 1 2 (NO ) con s senza s kiss flag. flag. plectrum scratch Ptto. sosp. soft mallet Timp. Kettle wooden stick Timp. superball Perc. Hi-hat stamp close Tamb. basco thumb G. P. on the body of the instrument poco sul pont. on the body of the instrument poco sul pont. on the body of the instrument on the body of the instrument 0

39 Fl. 124 G. P. 12 with random, dense rhythm tongue come prima G. P. 1 muta in Cfg. senza s con s wawa = = con s wawa = = with random, dense rhythm come prima Vibr. handle of hard mallet keep vertically with random, dense rhythm come prima Perc. Ped B-Dr. ossia: muted G. C. (or low Timp.) hard G. C. beater 2 Wood-blocks hard mallet beat different places of the blocks (filter the sounds) with random rhythm come prima G. P. l.v. G. P.

40 2 Fl jet-whistle muta in Fl. picc. Cfg. con s harmon = = = (NO ) senza s pop "" = () senza s pop "" plectrum scratch sim. plectrum scratch (Vibr.) Paper box hard mallet rubber headed mallet motor ON (fast) soft mallet Perc. hard glsp. beater Wooden Guiro Bottle hard glsp. beater secco 0 0 Mar. hard mallet

41 Score Fl. 18 kiss 19 Fl. picc. 140 remove the reed! 141 without reed 142 muta in Fg. replace the reed! muta in Fl. grande kiss remove mouthpiece! ONLY mouthpiece replace mouthpiece! (NO ) pop "" pop "" remove mouthpiece! remove mouthpiece! remove mouthpiece! ONLY mouthpiece ONLY mouthpiece ONLY mouthpiece replace mouthpiece! replace mouthpiece! replace mouthpiece! pop "" pop "" kiss (NO ) Plastic tube buzz plectrum scratch scratch "" "" "" Perc. (Paper box) handle of hard mallet keep vertically STOP Bottle hard glsp. beater Mar. hard mallet Bottle hard glsp. beater move the bow fast through the sul tasto ("whoosh" sound) 1/2 flag. "" 1/2 flag. sul III sul IV sul tasto sul IV 1/2 flag. 1/2 flag. sul III sul IV move the bow fast through the ("whoosh" sound) sul tasto 1/2 flag. "" move the bow fast through the ("whoosh" sound) sul IV 1/2 flag. sul tasto 1/2 flag. "" 1/2 flag. sul tasto 1/2 flag. 1/2 flag. sul IV sul tasto1/2 flag. nat. secco 1/2 flag. nat. secco

42 4 Fl. 14 G. P Fl. grande jet-whistle I - U I - U I - U G. P. secco Fg. with reed 7 :6 7 :6 pop "" pop "" secco secco secco secco kiss kiss (NO ) scratch 4 Beer-cans soft mallet "" Vibr. soft mallet "" G. C. superball Perc. Mar. handle of hard mallet keep vertically STOP Wooden Guiro handle of hard mallet G. P. sul II (sul tasto) sul II (sul tasto) sul pont. quasi vibr. sul pont. quasi vibr. G. P. (sul tasto) sul tasto sul tasto 1/2 flag. 1/2 flag.

43 Fl G. P jet-whistle I - U I - U I - U 1 I - U 14 I - U I - U kiss kiss kiss scratch "" G. C. superball Perc. Bottle hard glsp. beater hard mallet Paper box G. P. sul III e IV vibr. molto sul pont. sul pont. sul pont. 1/2 flag. sul pont. 1/2 flag. "" quasi vibr. sul pont. sul pont. secco (sul pont.) (sul pont.) 0 (sul pont.)

44 6 Fl muta in Fl. picc. 18 Fl. picc. 19 kiss vibr. lento e irreg. cresc. al (NO ) sim. ( ) pop "" pop "" ( ) kiss scratch scratch (Vibr.) "" "" "" motor OFF Perc. (Bottle) (Paper box) sul III sul pont. 1/2 flag. 1/2 flag. (sul pont.) sul II 1/2 flag. 1/2 flag. cresc. al cresc. al sul tasto 1/2 flag. lengthwise bow motion "" sim. "" cresc. al sul tasto 1/2 flag. sul tasto vibr. lento e irreg. (sul tasto) vibr. lento e irreg. cresc. al cresc. al

45 Fl. 160 (cresc. al) cresc. al 161 ( con s straight ) 162 = Perc. (Vibr.) Mar. hard mallet hard mallet Timp. Kettle thicker end of wooden stick Timp. superball thicker end of wooden stick (cresc. al) (cresc. al) (cresc. al) (cresc. al) (cresc. al)

46 8 Fl sub. 169 (Vibr.) Perc. Tamb. picc. senza corde buzz roll (Mar.) con corde senza corde frame 4 Temple-blocks Timp. superball Flexatone ( ) sul pont. sub. ricochet

47 Fl. 170 sub sub. Perc. Vibraslap sub. 4 Temple-blocks thicker end of wooden stick Timp. Tamb. picc. Timp. STOP STOP sul pont. sul pont.

48 40 Fl Perc. (Vibr.) 4 Temple-blocks (Mar.) Timp. superball Vibraslap Timp. Kettle thicker end of wooden stick sul pont. ricochet STOP Timp. thicker end of wooden stick

49 Fl con s harmon Perc. Tamb. picc. thicker end of wooden stick con corde 4 Temple-blocks thicker end of wooden stick Timp. superball sul pont. Flexatone ossia:

50 42 Fl senza s (Vibr.) Tam-tam Perc. (Mar.) hard tam-tam beater

51 Fl. 190 (gracenotes on the beat) : 4 : muta in Cl. in Si (gracenotes on the beat) Cl. in Si 4 : senza s 4 : 4 : 2 (gracenotes before the beat) Perc. (Vibr.) (Mar.) 4 : 4 : 4 : 4 : 4 : 4 :

52 44 Fl sempre muta in Fl. grande sempre sempre sempre sempre sempre Perc. (Vibr.) (Mar.) ( ) sempre

53 Fl Fl. grande 208 sempre 4 sempre sempre sempre sempre Perc. motor ON (fast) gett. sim. sempre

54 46 Fl. 209 sempre sempre sempre Perc. (Vibr.) Timp. rubber headed mallet (Mar.) molto lento ossia - play small notes if high Timp. is not available for Perc.2 (continue normally from m. 21): ossia - play dim. if high Timp. is not available, m tacet: soft mallet molto lento molto lento dim. al ( ) dim. al ( ) gett. sul IV sim. dim. al

55 Fl Perc. molto lento Ptto. sosp. rubber headed mallet sub. sempre molto lento (dim. al) (dim. al) (dim. al) gett.

56 48 Fl. ( 2) 220 sempre sempre sempre sempre sempre ( 2 2) sempre sempre sempre sempre sempre sim. ( ) Perc. (Vibr.) sempre sim. (Ptto. sosp.) (Mar.) ( 2) l.v. sempre () sempre sempre ( 2 2) prepare Paper bag Paper bag Blow up the Paper bag calmly then burst it. Put it down and take another bag. Start the whole procedure again. Be calm! STOP () sempre sim. sempre

57 Fl ( ) ( ) (non arp.) Perc. STOP handle of hard mallet keep vertically STOP 2 Wood-blocks hard mallet () sempre

58 0 Fl ( ) (Vibr.) (Paper bag) Perc. Bottle thicker end of wooden stick STOP = STOP Cowbell thicker end of wooden stick STOP

59 Fl ( ) ( ) sub. sub. Perc. STOP Mar. thicker end of wooden stick 0 2 Wood-blocks thicker end of wooden stick 0

60 2 Fl in in 1 20 sub. sub. free dynamic hold this note until you have energy and breath (NO circular breathing!) breath-in "sigh" "" G. C. superball Metal chain (in metal plate) drop into the plate Perc. (2 W-bl.) Sizzle thicker end of wooden stick 0 Tamb. basco thicker end of wooden stick in 1 in 1 Ócsa, May-July, 201 / January-February, 2017