BALÁZS HORVÁTH. Escalator

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1 BALÁZS HORVÁTH Escalator per tromba in Do e pianorte / for trumpet in C and piano Original version for trumpet and orchestra was composed for the final round of the International Trumpet Competition, Debrecen, 2011 Version for tumpet and piano Ócsa, 2010/2018

2 Durata: ca. 7-8 min. Escalator was written for the final round of the International Trumpet Competition, Debrecen, 2011. First performances played by the competitiors of the competiton.

2 2 Durata: ca. 7-8 min. Escalator was written for the final round of the International Trumpet Competition, Debrecen, First performances played by the competitiors of the competiton. This version is the slightly varied transcription of the original one for trumpet and piano. The premier of the trumpet-piano version was played bytamás Dávida and Thiago Bertoldi at the DLA concert by Tamás Dávida at the Liszt Academy of Music, Solti Hall, Budapest on Sept. 20, Solo trumpet part: the soloist must use two kind of mutes: a straight mute and plunger mute., means closed and open by hand. If a line connects the two signs or leads to a sign the change must be continuous, anyway direct. This way of playing is used with plunger mute and also with fingers or palm of hand when there is no mute. So put your hand in front of the corpus and cover it with the palm or plunger. The tuning ring is used in the piece. The numbers in brackets e.g. [] in measure 17, 19, etc. shows the fingering (valve) of the given pitch. Use this fingering (valve) combination so that you can lower the pitch approx. a quartertone as the arrow shows. With moving the tuning ring to the basic position, you can play the glissando. Any other signs are explained in the score.

3 for the final round of the International Trumpet Competition, Debrecen, 2011 Escalator Version for trumpet and piano based on Escalator for trumpet and orchestra senza sord. marc. secco Balázs HORVÁTH (*197) 11 ossia: 1 1 glissando ossia:

4 2 21 cantabile secco marc.

5 in 1 l.v. ( ) poco più lento in 1 l.v. ancora poco più lento leggiero in 1 l.v. ad lib. (veloce) in 1 l.v. 49

6 4 4 con sord. plunger vibr. poco prepare sord. straight push mute in con sord. straight

7 gliss. gliss. 9 :2 senza sord. cantabile 8 con sord. straight G. P.

8 89 92 senza sord. vibr non arp. 1

9 7 101 G. P ( ) gliss. (senza Ped.) (senza Ped.) =

10 G. P marc. secco

11 con sord. straight

12 (cresc. al) 19 (cresc. al) 1 ( ) any high pitch ossia: B poco a poco cresc. al

13 poco rit. senza sord. dolce in 1 2 ( ) glissando "whistle" any pitch (blow and suck the air between your lips as if whistling with the vowels "U", "Ü", "O", "Ö") / "fütyülj" bármilyen hangot (szívd be és fújd ki a levegőt az ajkaid között "U", "Ü", "O", "Ö" hangzókkal) al Fine l.v. 174 in 1 poco keep playing until you have enough breath (ca. -10 sec.) / addig tartsd a hangot, amíg el nem fogy a levegőd (ca. -10 sec.) breath-in (suck the air through the instrument to achieve a bit whistling, windy sound) / in 2 belégzés (szívd be a levegõt a hangszeren át, 1 hogy egyfajta sípoló, szélzajszerû hang jöjjön létre) 2 "" Ócsa, November-December, 2010 / September, 2018

14 BALÁZS HORVÁTH Escalator per tromba sola in Do ed orchestra / for trumpet solo in C and orchestra for the final round of the International Trumpet Competition, Debrecen, 2011 Tromba sola in Do Ócsa, 2010 Balázs HORVÁTH, 2010

15 Solo trumpet part: the soloist must use two kind of mutes: a straight mute and plunger mute., means closed and open by hand. If a line connects the two signs or leads to a sign the change must be continuous, anyway direct. This way of playing is used with plunger mute and also with fingers or palm of hand when there is no mute. So put your hand in front of the corpus and cover it with the palm or plunger. Szóló trombita szólam: kézféle sordinot kell használni: straight sordino és plunger., kézzel csukva nyitva. Ha a jeleket egyenes vonal köti össze vagy egy jelhez egyenes vonal vezet, a váltás átmenete folyamatos legyen, egyébként direkt. A csukás és nyitás játékmódja plunger sordinoval és kézzel (tenyérrel) is előfordul, utóbbi esetben tehát sordino nélkül. A corpust tehát vagy kézzel, vagy plungerral kell takarni. The tuning ring is used in the piece. The numbers in brackets e.g. [] in measure 17, 19, etc. shows the fingering (valve) of the given pitch. Use this fingering (valve) combination so that you can lower the pitch approx. a quartertone as the arrow shows. With moving the tuning ring to the basic position, you can play the glissando. A darabban a hangológyűrűt időnként negyedhangos glissandok létrehozásához kell használni. A zárójeles számok pl. [] a 17., 19. ütemben, stb. a billentyűk számát, tehát az adott hanghoz rendelt fogást mutatják. Ezt a billentyűkombinációt használd ahhoz, hogy a hangot kb. negyedhanggal mélyebbre tudd játszani, ahogy a nyíl mutatja az előjegyzésnél. A glissandot a hangológyűrű alaphelyzetbe történő húzásával játszd el a megadott idő alatt. The special signs for the soloist and the orchestra can be seen in the score. The numbers above certain bars (e.g. measure 17) shows the beats of the bar when the musical material is not metric. A szólistára és a zenekari szólamokra vonatkozó speciális jelek magyarázatát ld. a kottában. Az ütemek feletti számok a nem metrikus anyagokkal kitöltött ütemek ütéseit jelzik.

17 Tromba sola in Do senza sord. Escalator HORVÁTH Balázs (*197) 10 ossia: 14 ossia: 19 1 glissando cantabile Balázs HORVÁTH, 2010

18 Tromba sola in Do in 1 ad lib. (veloce) in 1 ( ) poco più lento in 1 47 ancora poco più lento leggiero in 1 con sord. plunger 4 vibr. poco 8 Balázs HORVÁTH, 2010

19 4 prepare sord. straight push mute in con sord. straight 72 2 gliss. gliss. Tromba sola in Do 9 :2 7 senza sord. 80 cantabile 8 con sord. straight G. P. 89 senza sord. vibr Balázs HORVÁTH, 2010

20 Tromba sola in Do 102 G. P ( ) gliss. = G. P Balázs HORVÁTH, 2010

21 con sord. straight Tromba sola in Do ( ) any high pitch ossia: B poco rit. 172 (rit.) senza sord. dolce in in 1 poco keep playing until you have enough breath (ca. -10 sec.) / addig tartsd a hangot, amíg el nem fogy a levegőd (ca. -10 sec.) breath-in (suck the air through the instrument to achieve a bit whistling, windy sound) / in 2 belégzés (szívd be a levegõt a hangszeren át, hogy egyfajta sípoló, szélzajszerû hang jöjjön létre) 1 2 Balázs HORVÁTH, 2010 ""

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