Balázs HORVÁTH. Plunderphonic intermezzi

Balázs HORVÁTH Plunderphonic intermezzi for symphony orchestra with electronics 7 SCORE Balázs Horváth, 7

Orchestra Flauto. (anche Flauto piccolo) Fl.. (anche Fl. picc.) Oboe. Ob.. Clarinetti. in Sib Cl.. Fagotto. Fg.. Corno. in Fa Cor.. Tromba. in Do Tr.. Trombone. Trb.. Violino /. Vl. /. Violino /. Vl. /. Viola. Vla.. Violoncello. Vlc.. Contrabbasso. Cb.. Center Keyboard Keyb. Percussioni. Perc.. Percussioni. Perc.. Flauto. (anche Flauto piccolo) Fl.. (anche Fl. picc.) Oboe. Ob.. Clarinetti. in Sib Cl.. Fagotto. Fg.. Corno. in Fa Cor.. Tromba. in Do Tr.. Trombone. Trb.. Violino /. Vl. /. Violino /. Vl. /. Viola. Vla.. Violoncello. Vlc.. Contrabbasso. Cb.. Partitura in Do / All the parts are written in C (concert pitch) Durata / Duration: ca. min. Tételek / Movements: I Plundermezzo, II A hangmagasságról, III Tényleges közjáték, IV Plundermezzo, V A ritmusról, VI Plundermezzo, VII Coda Bemutató: Új Magyar Zenei Fórum, 7, Művészetek Palotája, Béla Bartók Nemzeti Hangversenyterem, Budapest, 7. október Óbudai Danubia Szimfonikus Zenekar, vez.: Hámori Máté World premiere: New Hungarian Music Forum, 9). Palace of Arts, Béla Bartók National Concert Hall, Budapest, October, 7. Óbuda Danubia Symphony Orchestra, conducted by Máté Hámori

John Oswald a Lopofóniáról (Plunderphonics): A zenei részletek pedagógiai, szemléltető és kritikus célokra történő felhasználását törvényes és tisztességes használatnak tartják. Tehát paródia céljára lehetséges anyagokat kölcsönvenni. A tisztességes kereskedelem olyan felhasználást feltételez, amely nem zavarja az eredeti mű gazdasági életképességét. [...] Kalózkodás vagy egy mű plagizálása Milton szerint akkor fordul elő, «ha a kölcsönvevő nem javít az anyagon». Milton megkülönböztetéséhez Stravinsky a birtoklás joga kapcsán hozzátette, hogy «a jó zeneszerző nem utánoz, hanem lop». (http://www.plunderphonics.com/xhtml/xplunder.html) Zenekari diszpozíció: A zenekar két részre osztva helyezkedik el a színpadon szimmetrikusan. A színpad közönség felőli szélén üljenek az első hegedűk (Vl. /. ill. Vl. /.), közepén pedig egymás mellett a gordonkák (Vlc.. ill. Vlc..). A nagybőgőket a színpad bal és jobb oldalán érdemes elhelyezni. A fúvósok a vonósok mögött egy hosszú vagy két rövid sorban is elhelyezhetők. Az ütőhangszerek, hárfa, keyboard a színpad hátulján, középtől a színpad oldala felé foglalják el helyüket tetszés szerint. Dinamika: A kottában szereplő dinamikai jelek a játékosok által megszólaltatott hangerőt jelentik. Ezért egyes szólamokban a dinamikai jelek időnként segédjelzéssel láthatók: mf (= p), ami azt jelenti, hogy a játékosnak mezzoforte dinamikával kell játszani, ami az adott körülmények között piano fog szólni. Ennek oka a speciális játékmód (pl. nyelv-, csak levegőfúvás (zaj), stb.) vagy a rézfúvósok által használt sordino. Keyboard szólam: a darabban szereplő hangok (lemez scratch zajok, részletek Kodály Zoltán Háry-szvitjének Intermezzójából, szövegrészletek egy Kodály-interjúból) megszólaltatásához Kontakt szoftver és MIDI-keyboard szükséges. A kottában szereplő hangok az adott MIDI billentyűt jelzik, nem a megszólaló hangmagasságokat. Plunderphonics by John Oswald: Quoting extracts of music for pedagogical, illustrative and critical purposes have been upheld as legal f use. So has borrowing for the purpose of parody. F dealing assumes use which does not interfere with the economic viability of the initial work. [...] Piracy or plagiarism of a work occur, according to Milton, «if it is not bettered by the borrower». Stravinsky added the right of possession to Milton's distinction when he said, «a good composer does not imitate; he steals.» (http://www.plunderphonics.com/xhtml/xplunder.html) Orchestral disposition: The orchestra is divided into two sections and is distributed on the stage symmetrically. st violins (Vl. /. and Vl. /.) should sit on the edge of the stage, the celli (Vlc.. and Vlc..) should sit by the imaginary center line of the stage, close to each other. The double basses should possibly be placed at the left and the right side of the stage. The winds are either to be in one longer line or in two shorter lines behind the strings. The percussions should be placed at the very back of the stage from middle to both sides. Dynamics: The dynamic markings in the score are performers dynamics. Therefore auxiliary dynamics are to be found at certain points in some parts, e.g. mf (= p). This means that the musician must play mezzoforte, which will sound piano in the given circumstances. The reasons for this are the special playing techniques (e.g. tongue-, just breathing out (noise), etc.) or the mutes used by the brass players. Keyboard part: the sounds heard in the piece (turntable scratch noises, excerpts from Intermezzo by Zoltán Kodály s Háry-suite, text from interview with Kodály) are to be played by Kontakt software triggered by MIDI-keyboard. The notes in the keyboard part represent the actual MIDI key, they have nothing to do with pitches.

4 Jelmagyarázat Tutti Glissandok: a csúszás a kezdő és érkező hangok közötti teljes időtartam alatt történjen meg. Negyedhangok vagy kisebb hangközök: a darabban szereplő negyedhangok vagy ennél kisebb hangközök jeleit ld. alább (ezek közül nem szerepel mindegyik a műben): Explanations of the special signs Tutti Glissandi: the slides are to be played at the complete duration between the starting and the arriving notes. Quarter-tones or smaller intervales: the quarter-tones or even smaller alterations are shown as below (not all of these signs can be found in the piece): Fafúvósok Woodwinds Levegő-zaj a megadott billentyű lenyomásával és levegő befújásával (ob. és fg. a nád eltávolítása után). Kövesd az adott hangokat az ajkak feszítésével, hogy a szűrt hangok változása jól hallható legyen! Multifónia, melyben az adott hang domináljon (lehetőleg harmonikus jellegű hangzás legyen). Lassú, széles (-szerű) vibrato. Blow into the intrument using the given finger-key (ob. and fg. after removing the reed). Follow the given notes, tensing the lips so that the alteration of the filtered sounds is clearly audible. Multiphonic sound in which the given note should dominate (it should be a rather harmonic kind of multiphony). Slow, wide vibrato, almost like a. Rézfúvósok Brass Rézfúvós szordínók: Cor.: hagyományos sordino (con s) Tr. Trb.: straight, cup, wawa, harmon (wawa tüske nélkül) Brass mutes: Cor.: normal mute (con s) Tr. Trb.: straight, cup, wawa, harmon (wawa without stem) ; Nyitva; zárva (wawa vagy harmon sordino Tr., Trb.) a jelzés a következő változásig érvényben van. Levegő-zaj az adott hanghoz tartozó ventil lenyomásával és levegő befújásával. Open; closed (wawa or harmon mute Tr., Trb.) hold the position until the next new sign. Blow into the intrument using the appropriate valve for the given note. If you see a vowel below the note,

zjáték ét zzo come prima 7 ét he string quickly lectrum) Hárfa sul C Eszközök: Műanyag plectrum (bankkártya) ét Ha magánhangzók szerepelnek a hangok alatt, az ajkat az adott hangzóra (U, I, A) formálva tartsd, hogy így változzon a zajos hang szűrése. DC B E F Lassú, széles (-szerű) sul C vibrato. Húzd el a fúvókát az ajkak előtt, miközben levegőt fújsz. in Pedál with buzz (zizegő) hanggal form the given vowel (U, I, A German or Hungarian pronunciation) and hold it so that the filtering of the noise changes. Slow, sul wide C vibrato, almost like a. Move the mouthpiece away in front of your lips while blowing. come prima ét Harp sul C Objects to use: 9 Plastic plectrum (bank card) 7 79 ca. sec. in in "" in 4 4 sul C 7 6 sul C plastic plectrum press firmly until the end (noisy sound) 7 Pedal with buzz sound Kld a legmélyebb C-húrt húrt hosszanti irányban V(plectrummal). (A Scratch the string lengthwise (with plectrum) on the lowest C-string. (Do húrt NE pengesd A ritmusról meg) NOT pluck the low string) ( ) Nyomd a bal kezet erősen a húrokra miközben játszol (NEM flageolet), = hogy a hang kopogó zajos legyen. ( ) ( ) 6 accel. Press left hand firmly to the strings (NO flageolet) so that the pitches will be quite noisy Ütősök Percussion H, 7 ét Etouffez: némítsd Balázs HORVÁTH, el a kicsengést 7 (fogd le a hangszert). Etouffez: mute the sound (stop the vibration of the instrument). Dörzsöld a hangszert (általában körkörös mozdulat). Rub the instrument (generally with a circular motion).

6 Stop-ütés Dead-stroke Percussioni (Ütőhangszerek) Percussione. Timpani, Vibraphone (motorral), Tamburo piccolo (kisdob), Tam-tam, Sizzle cymbal, Guiro, Piatto sospeso (függesztett cintányér), Piatti a (összeütős cintányér), Bamboo-chimes. Verők: wooden stick, medium hard mallet, hard mallet, soft timpani beater, brush (jazz fémseprű), (vonó), superball, metal stick. Notáció: Percussioni (Percussion instruments) Percussione. Timpani, Vibraphone (with motor), Tamburo piccolo (Snare Drum), Tam-tam, Sizzle cymbal, Guiro, Piatto sospeso (Suspended cymbal), Piatti a (Cymbals a), Bamboo-chimes. Beaters: wooden stick, medium hard mallet, hard mallet, soft timpani beater, brush (jazz metal brush), (bow), superball, metal stick. Notation: Timp. Vibr. Tamb. picc. Tam-tam Sizzle Guiro Ptto. sosp. Ptti. a Bamboo-chimes Percussione. Marimba, Glockenspiel, Shatic (kis fakocka magas hanggal), Wood-block, Gran Cassa (nagydob), Flexatone, Tamburo piccolo (kisdob), Snares of Tamburo piccolo (a kisdob húrjai), Piatto on Timpani (cintányér a timpanin fejjel lefelé, trem. a cintányéron), Nipple Gong (kúpos gong) Verők: wooden stick, soft mallet, medium hard mallet, hard mallet, hard beater, soft timpani beater, superball Marimba, Glockenspiel, Shatic (small wooden block with high sound), Wood-block, Gran Cassa (Bass Drum), Flexatone, Tamburo piccolo (kisdob), Snares of Tamburo piccolo, Piatto on Timpani (Cymbal on the drumhead upside down, trem. on the cymbal), Nipple Gong (kúpos gong) Beaters: wooden stick, soft mallet, medium hard mallet, hard mallet, hard beater, soft timpani beater, superball. Notáció: Mar. Glsp. Notation: Shatic Wood-block G. C. Ptto. on Timp Flexatone Snares of T-picc. Tamb. picc. (on the drumhead upside down, tremolo on the cymbal) Nipple Gong

7 Vonósok A hídon húzd a vonót, miközben a bal kéz ujjaival kopogj a húrokon. Lassú (és széles amplitúdó) vibrato Strings Move the bow above the given string while knock on the strings with your left hand fingers. Slow (and wide) vibrato A hídon/lábon játssz (fehérzaj)! Lassú, széles (-szerű) vibrato. Play (white noise)! Slow, wide vibrato, almost like a. Préselt vonó (a játékmód csak az adott hangra, frázisra vonatkozik). Pressured bow (valid only for the given note or phrase). Pizz. (arpeggio) a láb mögött. Pizz. (arpeggio) behind the bridge. Hosszanti vonómozgás (temolo) Lengthwise bow motion (in tremolo)

8

Plunderphonic intermezzi Score in C Flauto (anche Flauto piccolo) Oboe Clarinetto in Si Fagotto Corno in Fa Tromba in Do Trombone Violino / Violino / Viola Violoncello Contrabbasso Keyboard (sampler) Percussioni Flauto (anche Flauto piccolo) Oboe Clarinetto in Si Fagotto accel. Mar. hard mallet accel. D C B E F G A Timp. hard mallet [ ] [ ] I Plundermezzo Vibr. hard mallet Tamb. picc. wooden stick 4 l.v. secco scratch noises 6 secco Balázs HORVÁTH (*976) ( ) ( ) 7 Corno in Fa Tromba in Do Trombone Violino / Violino / Viola Violoncello Contrabbasso Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. ( ) ( ) 8 9 accel. accel. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. 4 6 7 8 Keyb. senza accel. (keep the original tempo) Perc. Fl. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. Ob. Cl. poco a poco senza sincr. poco a poco senza sincr. Fg. poco a poco senza sincr. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. poco a poco senza sincr. Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. ca. sec. senza sincr. in (veloce) : : : : : : : : rit. molto in accel. molto Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. : vibr. in : : : : : : senza sincr. 9 (veloce) : : : : : : : ca. sec. rit. molto vibr. sul II vibr. in accel. molto 4 6 Keyb. Perc. Mar. hard mallet : : hard timp. beater Timp. Fl. Ob. Cl. Fg. : : : : : : : : Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. : vibr. : : : : : : : : : : : : : vibr. sul II vibr. Balázs HORVÁTH, 7

4 Fl. Ob. Cl. Fg. sempre sempre sempre sempre Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. sempre sempre sempre sempre sempre sempre sempre sempre 7 8 9 4 6 7 8 Keyb. (Tamb. picc. wooden stick sempre) Perc. Fl. Ob. Cl. Fg. hard mallet secco sempre Vibr. Tamb. picc. Vibr. Tamb. picc. sempre sempre sempre sempre Vibr. G. C. superball sempre Tamb. picc. Vibr. Tamb. picc. Vibr. Tamb. picc. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. sempre sempre sempre sempre sempre sempre sempre sempre Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. sempre sempre sempre sempre Cor. Tr. Trb. Vl. / Vl. / Vla. brass - 4 brass - [ ] [ ] [ ] [ ] [ ] [ ] vibr. vibr. vibr. Vlc. Cb. [ ] [ ] vibr. 9 4 4 4 4 44 4 46 47 48 49 Keyb. Perc. Fl. Ptto. sosp. wooden stick hold the stick vertically and scratch the surface of the cymbal softly l.v. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. Balázs HORVÁTH, 7

6 Fl. Ob. Cl. Fg. Cor. Tr. Trb. sempre sempre sempre Vl. / sul II [ ] vibr. [ ] [ ] Vl. / Vla. Vlc. [ ] [ ] [ ] [ ] vibr. vibr. [ ] [ ] [ ] [ ] [ ] sul II 4 6 7 8 9 6 6 6 Keyb. Perc. Fl. Ob. Cl. Fg. sempre sempre sempre sempre Cor. Tr. Trb. Vl. / Vl. / sempre sempre sempre [ ] [ ] vibr. vibr. Vla. Vlc. vibr. vibr. Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. 7 Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. [ ] [ ] [ ] [ ] sul II [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] sul II Keyb. 6 64 6 66 67 68 69 7 7 7 7 74 Perc. Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / [ ] [ ] vibr. vibr. [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] Vla. vibr. [ ] [ ] [ ] [ ] [ ] [ ] [ ] Vlc. sul II [ ] [ ] [ ] Balázs HORVÁTH, 7

8 Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. sul II sul II [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] Vlc. [ ] [ ] [ ] [ ] 7 76 77 78 79 8 8 8 8 84 8 86 Keyb. Perc. Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / [ ] [ ] [ ] [ ] [ ] [ ] Vl. / Vla. Vlc. [ ] [ ] [ ] [ ] [ ] [ ] sul II sul II [ ] [ ] [ ] [ ] [ ] Balázs HORVÁTH, 7

Fl. Ob. 9 Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] [ ] sul IV [ ] sul II [ ] sul II 87 88 89 9 9 9 9 94 9 96 97 Keyb. Perc. Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. [ ] [ ] [ ] sul II Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. sul II 98 99 4 6 7 Keyb. Perc. Vibr. hard mallet secco Fl. Tamb. picc. wooden stick Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. sul II sul I sul IV sul IV Balázs HORVÁTH, 7

II A hangmagasságról Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto Cl. in Si Fagotto Fg. Corno Cor. in Fa Tromba in Tr. Do Trombone Trb. Violino Vl. / Violino Vl. / Viola Vla. Violoncello Vlc. Contrabbasso Cb. con s con s cup con s cup in in ca. sec. ca. sec. 6 6 solo soli gli altri solo sole gli altri tutte tutte 6 4 Keyboard Keyb. TEXT Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto in Cl. Si Fagotto Fg. Corno Cor. in Fa Tromba in Tr. Do Trombone Trb. Violino Vl. / con s con s cup con s cup 4 L.H. "" R.H. on the bridge 4 L.H. "" R.H. solo soli gli altri 6 Violino Vl. / Viola Vla. Violoncello Vlc. Contrabbasso Cb. 4 L.H. "" R.H. 4 L.H. "" R.H. 4 L.H. "" R.H. 4 L.H. "" R.H. 4 L.H. "" R.H. 4 L.H. "" R.H. 4 L.H. "" R.H. 4 L.H. "" R.H. solo sole gli altri tutte tutte Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. rit. subito a tempo 6 Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. Fl. Ob. Cl. Fg. 6 solo solo soli sole rit. gli altri gli altri tutte tutte 7 subito a tempo 8 9 6 solo soli 6 gli altri 6 solo gli altri sole tutte 6 tutte sul III Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. solo soli gli altri solo gli altri sole tutte tutte Balázs HORVÁTH, 7

Fg. Trb. in ca. sec. in ca. sec. Vl. / Vl. / Vla. ( ) Vlc. Cb. Keyb. ( ) 4 in TEXT ca. sec. 6 in ca. sec. 7 Perc. G. C. very soft beater Vl. / tutti tutti Vl. / Vla. tutti tutti tutte sul pont. tutte Vlc. Cb. Balázs HORVÁTH, 7

4 III Tényleges közjáték Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto in Cl. Si Fagotto Fg. Corno Cor. in Fa Tromba in Tr. Do Trombone Trb. senza s senza s prepare s wawa senza s con s wawa prepare s wawa = = poco Violino Vl. / Violino Vl. / Viola Vla. Violoncello Vlc. Contrabbasso Cb. sole plastic plectrum ét sempre DC B VELOCE E F GA D C B F G A solo non sul tasto tutte tutte poco vibr. poco vibr. ét ét = DC B E F tutti solo flautando 4 ét vibr. G lengthwise trem. (touch the string with L.H.) lengthwise trem. (touch the string with L.H.) ét D C E F GA sul tasto Percussioni Perc. Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto Cl. in Si Fagotto Fg. Corno Cor. in Fa Tromba Tr. in Do Trombone Trb. Violino Vl. / Violino Vl. / Viola Vla. Violoncello Vlc. Contrabbasso Cb. Vibr. med. hard mallet Mar. senza s med. hard mallet solo senza s prepare s wawa senza s sole Flexatone non col legno tratto soli tutte tutte poco vibr. = poco vibr. con s wawa wooden handle of mallet Tamb. picc. wooden stick = tutti Balázs HORVÁTH, 7 prepare s wawa = vibr. lengthwise trem. (touch the string with L.H.) lengthwise trem. (touch the string with L.H.) poco col legno tratto

Fl. Ob. Cl. Fg. bisbigl. bisbigl. Cor. Tr. Trb. con s wawa con s cup = senza s con s cup = Vl. / Vl. / Vla. Vlc. Cb. tutti ( ) = 6 7 8 9 ét ét Perc. Mar. soft mallet Fl. Ob. Cl. bisbigl. Fg. bisbigl. Cor. Tr. Trb. con s wawa con s cup = senza s con s cup = Vl. / Vl. / col legno tratto Vla. Vlc. Cb. = ( ) solo flautando Balázs HORVÁTH, 7

6 IV Plundermezzo Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto in Cl. Si Fagotto Fg. in With cond. without reed (only into tube) without reed (only into tube) ( ) ( ) Corno Cor. in Fa Tromba in Tr. Do Trombone Trb. Violino Vl. / Violino Vl. / Viola Vla. any flageolet noise sul I any flageolet noise sul I any flageolet noise sul I senza s Violoncello Vlc. any flageolet noise sul I Contrabbasso Cb. Keyboard Keyb. in (sounding) With cond. plastic plectrum ( ) any flageolet noise sul I scrath the string quickly (with plectrum) sul C 4 ( ) ( ) 6 7 Percussioni Perc. Sizzle wooden stick G. C. very soft beater muted ét Tamb. picc. Guiro wooden stick Sizzle Guiro Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto Cl. in Si Fagotto Fg. without reed (only into tube) without reed (only into tube) Corno Cor. in Fa Tromba in Tr. Do Trombone Trb. Violino Vl. / any flageolet noise sul I senza s marc. Violino Vl. / any flageolet noise sul I marc. Viola Vla. any flageolet noise sul I marc. Violoncello Vlc. Contrabbasso Cb. any flageolet noise sul I any flageolet noise sul I marc. marc. Balázs HORVÁTH, 7

Fl. Ob. Cl. in in in ca. sec. 7 Tr. Vl. / Vl. / Vla. Vlc. Cb. : : : : : : : : : : behind the bridge behind the bridge behind the bridge behind the bridge behind the bridge con s straight = in 8 in 9 in ca. sec. 4 sul C Keyb. rit. molto accel. molto : : Perc. superball Fl. Ob. Cl. Tr. con s straight Vl. / Vl. / : : : : behind the bridge behind the bridge Vla. : : behind the bridge Vlc. Cb. : : : : behind the bridge behind the bridge Balázs HORVÁTH, 7

8 Fl. Ob. Cl. Fg. Cor. without reed (only into tube) slap "" M Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. con s harmon = = = marc. marc. marc. marc. sul IV sul IV sul IV sul IV = sul II lento senza s ( ) ( ) 6 7 8 9 4 Keyb. come prima sul C sul C Ptto. sosp. Perc. Fl. Ob. Cl. Fg. very soft beater muted Ptto. sosp. wooden stick superball ét ét ét very soft beater muted hold the stick vertically and scratch the surface of the cymbal softly Sizzle with fingertips G. C. superball Sizzle wooden stick Guiro wooden stick slap "" wooden stick hold the stick vertically and scratch the surface of the cymbal softly ét Tr. Trb. con s harmon = con s harmon = Vl. / marc. marc. Vl. / Vla. Vlc. Cb. marc. marc. sul IV sul IV sul IV sul IV sul II behind the bridge Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / con s straight senza s without reed (only into tube) slap "" con s straight M senza s slap "" slap "" 9 Vl. / Vla. Vlc. Cb. ( ) ( ) behind the bridge 6 7 8 9 4 6 7 8 9 sul C sul C Keyb. Ptto. sosp. Perc. Fl. Ob. Cl. Fg. G. C. superball Sizzle wooden stick Guiro wooden stick ét without reed (only into tube) slap "" wooden stick hold the stick vertically and scratch the surface of the cymbal softly l.v. ét hold the stick vertically and scratch the surface of the cymbal softly T-t. metal stick Cor. Tr. Trb. con s straight Vl. / Vl. / Vla. Vlc. Cb. behind the bridge behind the bridge Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / slap "" con s straight Vl. / Vla. Vlc. Cb. sul IV sul IV 4 4 4 4 44 4 46 47 48 49 4 sul C come prima sul C Keyb. Ptto. sosp. wooden stick ét l.v. wooden stick ét Sizzle wooden stick ét Guiro wooden stick Perc. very soft beater muted superball Tr. Trb. Vl. / con s harmon Vl. / Vla. Vlc. Cb. sul IV sul IV Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. Cor. Tr. Trb. M senza s slap "" con s straight Vl. / Vl. / Vla. Vlc. Cb. sul IV sul IV sul IV ( ) ( ) 6 7 8 9 6 6 6 6 64 6 66 67 68 69 Keyb. Ptto. sosp. wooden stick Perc. hold the stick vertically and scratch the surface of the cymbal softly T-t. metal stick Fl. Ob. Cl. Fg. Sizzle with fingertips G. C. superball slap "" very soft beater muted superball Tr. Vl. / senza s con s straight Vl. / Vla. Vlc. Cb. sul II behind the bridge Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. Keyb. 7 7 7 7 74 7 76 77 in 78 in 79 8 = marc. marc. marc. marc. 8 lento sul II sul IV sul IV Perc. Sizzle metal stick ét Guiro metal stick Sizzle wooden stick Guiro wooden stick ét Fl. Ob. Cl. Fg. very soft beater muted slap "" superball very soft beater muted M slap "" Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. con s harmon ( ) ( ) Balázs HORVÁTH, 7

V A ritmusról Flauto (anche Flauto Fl. piccolo) "" marc. ( ) = Oboe Ob. Clarinetto in Cl. Si Fagotto Fg. without reed (only into tube) "" "" marc. without reed (only into tube) slap "" Corno Cor. in Fa Tromba in Tr. Do Trombone Trb. "I" "" marc. senza s "" senza s "I" "" "U" marc. marc. "U" "I" "U" "I" "U" "I" "U" "I" "U" Violino Vl. / Violino Vl. / Viola Vla. sul I sul II sul II Violoncello Vlc. sul I Contrabbasso Cb. behind the bridge ( ) 4 6 7 = Keyboard Keyb. Percussioni Perc. Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto in Cl. Si Fagotto Fg. "" R.H. = plastic plectrum Vibr. very soft mallet on the resonator tubes Ptto. on Timp press firmly until the end (noisy sound) L.H. (on the drumhead upside down, soft mallet tremolo on the cymbal) ( ) "" without reed (only into tube) "" "" without reed (only into tube) slap marc. marc. "" ( ) Corno Cor. in Fa "I" "" "U" marc. "I" "U" Tromba in Tr. Do Trombone Trb. senza s senza s "" marc. "I" "" marc. "U" "I" "U" Violino Vl. / Violino Vl. / Viola Vla. Violoncello Vlc. Contrabbasso Cb. behind the bridge Balázs HORVÁTH, 7

4 Fl. accel. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / ( ) Vl. / ( ) Vla. ( ) Vlc. Cb. Perc. 8 ( ) ( ) accel. ( ) ( ) 9 4 Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. Balázs HORVÁTH, 7

Fl. muta in Fl. picc. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. 6 7 8 9 Keyb. TEXT Perc. Fl. Ob. Cl. Fg. Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. Balázs HORVÁTH, 7

6 VI Plundermezzo Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto Cl. in Si Fagotto Fg. Fl. picc. sempre sempre sempre sempre Corno Cor. in Fa Tromba Tr. in Do Trombone Trb. Violino Vl. / Violino Vl. / Viola Vla. Violoncello Vlc. Contrabbasso Cb. sempre sempre sempre sempre sempre sempre sempre sempre 4 6 7 D C B EFG A sempre Keyboard Keyb. Percussioni Perc. Flauto (anche Flauto Fl. piccolo) Oboe Ob. Clarinetto Cl. in Si Fagotto Fg. Corno Cor. in Fa Tromba in Tr. Do Trombone Trb. Violino Vl. / Violino Vl. / Viola Vla. Violoncello Vlc. Contrabbasso Cb. Tamb. picc. wooden stick Ptti. á sempre sempre sempre sempre sempre sempre sempre sempre sempre sempre sempre sempre sempre sempre Balázs HORVÁTH, 7

Fl. Ob. Cl. Fg. 7 Cor. Tr. Trb. Vl. / Vl. / Vla. Vlc. Cb. non non sul II non non non non non 8 9 Keyb. scratch noises Perc. Fl. Ob. Cl. Fg. Cor. Tr. Trb. Glsp. thicker end of wooden stick l.v. Vl. / Vl. / Vla. Vlc. Cb. non non sul II non non Balázs HORVÁTH, 7

8 VII Coda Flauto. (anche Flauto Fl.. piccolo) Oboe Ob... Clarinetto. Cl. in Si. Fagotto Fg.. Corno. Cor. in Fa. Tromba. Tr. in Do. Trombone Trb... Violino Vl. /. Vl. /. Violino /. Vl. /. Viola Vla... Violoncello Vlc... Violoncello Vlc... Fl. picc. non non non sul II Contrabbasso Cb... Percussione Perc... Percussione Perc... Timp. soft beater Glsp. hard beater l.v. l.v. 4 Mar. wooden handle of hard mallet 7 6 ét (Glsp.) 7 brush hard mallet Flauto. (anche Flauto Fl.. piccolo) Oboe Ob.. Clarinetto. Cl. in. Si Fagotto Fg.. Corno Cor.. in. Fa Tromba. Tr. in Do. Trombone Trb... Vl. /. Violino /. Vl. /. Violino Vl. /. Vla.. Viola. Vla.. Vlc.. Violoncello. Vlc.. Contrabbasso Cb... non Balázs HORVÁTH, 7

Fl.. Ob.. Cl.. Fg.. Fl. picc. muta in Fl. gr. 9 Cor.. Tr.. Trb.. Vl. /. Vl. /. non non Vl. /. Vl. /. Vla.. Vla.. Vlc.. Cb.. Perc.. Perc.. Fl.. Ob.. Cl.. Fg.. Cor.. Tr.. Trb.. 8 (Timp.) Shatic Mar. 9 Mar. Shatic tutti superball ( ) ( ) non non non non non 4 Vl. /. Vl. /. Vla.. Vlc.. Cb.. tutti tutte tutti non vibr. non vibr. non vibr. non vibr. e IV Balázs HORVÁTH, 7

Fl.. Ob.. Cl.. Fg.. Cor.. Tr.. Trb.. Vl. /. Vl. /. Vla.. Vla.. Vlc.. Cb.. Perc.. Perc.. Fl.. Ob.. Cl.. Fg.. soft mallet 6 l.v. sub. Fl. grande non non non 7 Ptto. sosp. l.v. 8 Nipple Gong soft mallet l.v. 9 Vibr. brush motor OFF 6 6 7 6 7 trillo+ molto vibr. sul IV molto vibr. sul IV l.v. sul IV l.v. l.v. trillo+ 7 Mar. soft mallet Tam-tam fist (ököl) l.v. l.v. Fl. gr. muta in Fl. picc. Cor.. Tr.. Trb.. Vl. /. Vl. /. Vla.. non non non ( ) sul IV sul IV nat. nat. non non non come chitarra come chitarra come chitarra Vlc.. Cb.. non sul IV come chitarra Balázs HORVÁTH, 7

Fl.. Ob.. Cl.. Fg.. Fl. gr. muta in Fl. picc. poco sub. Fl. picc. Cor.. Tr.. Trb.. Vl. /. Vl. /. Vla.. Vlc.. Cb.. non non 4 6 7 8 secco 9 Perc.. Perc.. (Mar.) wooden handle of soft mallet ( ) Shatic Mar. medium hard mallet Ptto. sosp. hard mallet l.v. "black keys" "white keys" Fl.. Ob.. Cl.. Fg.. Fl. picc. Fl. picc. muta in Fl. gr. Fl. grande Cor.. Tr.. Trb.. Vl. /. Vl. /. Vla.. non Vlc.. Cb.. Balázs HORVÁTH, 7

Fl.. Ob.. Cl.. Fg.. Cor.. Tr.. Trb.. Vl. /. Vl. /. Vla.. Vlc.. Vlc.. Cb.. Perc.. Perc.. Fl.. Ob.. Cl.. Fg.. Cor.. Tr.. Trb.. con s straight bisbigl. veloce non non non Bamboo-chimes l.v. Timp. soft timp. beater sul IV l.v. soft Sizzle mallet l.v. l.v. l.v. l.v. l.v. l.v. Snares of T-picc. fingers 4 non non l.v. con s straight 6 Vibr. soft mallet G. C. soft timp. beater l.v. vibr. non non 7 "black keys" "white keys" Vl. /. Vl. /. Vla.. Vlc.. Cb.. non non sul IV vibr. non non non Balázs HORVÁTH, 7

Fl.. Ob.. Cl.. Fg.. Cor.. Tr.. Trb.. Vl. /. Vl. /. Vla.. Vlc.. Cb.. non non non non D C B E FG A poco a poco the Pedal changes may be heard all the time at the end of each chord! Perc.. Perc.. Fl.. Ob.. Cl.. Fg.. Cor.. Tr.. Trb.. Vl. /. Vl. /. Vl. /. Vla.. Vlc.. Cb.. "white keys" "black keys" 8 (Vibr.) Mar. soft timp. beater solo gli altri (non ) (non ) non (non ) "black keys" "white keys" 9 "black keys" "white keys" 4 non non (non ) non non 4 4 sub. sub. 4 44 sub. sub. (non ) 4 ( ) 46 sub. sub. ( ) 47 Balázs HORVÁTH, 7

4 Ob.. Cl.. Fg.. Cor.. Trb.. Vl. /. solo sul II sul I ( ) Vla.. Vlc.. Cb.. ( poco a poco) G G A DB F B Perc.. Perc.. 48 49 4 6 7 8 hard mallet hard mallet Ob.. Cl.. Trb.. ( ) ( ) Vl. /. Vla.. sola ( ) Vlc.. Cb.. Balázs HORVÁTH, 7

Cl.. Fg.. Vl. /. (solo) ( poco a poco) D C D C F D C F DC CF ( ) C G F A 9 6 6 6 6 64 6 66 67 Perc.. Perc.. Trb.. Vla.. Cb.. (Vibr.) (Mar.) (sola) soft mallet hard mallet ( ) soft timp. beater ( ) solo hard mallet ( ) soft mallet soft timp. beater ( ) hard mallet hard mallet ( ) Vl. /. poco rit.* st player ONLY +nd player +rd player +4th player +th player tutti Vl. /. Vla.. st player ONLY st player ONLY +nd player +nd player +rd player +rd player +4th player +4th player +th player +th player tutti tutte Vlc.. st player ONLY +nd player +rd player +4th player +th player tutti ( poco a poco) FG F A B D B C 68 poco rit.* 69 7 7 7 7 74 7 Perc.. Perc.. Vl. /. Vl. /. Vla.. st player ONLY st player ONLY st player ONLY +nd player +nd player +nd player +rd player +rd player +rd player +4th player +4th player +4th player +th player +th player +th player knock on the body of the violin with the tension screw of the bow tutti Vlc.. st player ONLY +nd player +rd player +4th player +th player *A nyolcadok hossza a bal zenekar () vonósainak és az ütősök szólamában (tehát a rövid hangokat játsszó szólamokban) állandó, tehát ne változzon a lassítással együtt. The length of the eigthnotes of strings and the length of the eigthnotes duration of the percussions (so the speed of the short notes) should not change with the ritardando. Balázs HORVÁTH, 7

6 Balázs HORVÁTH, 7