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1 BIBLIOGRÁFIA Ez a válogatott bibliográfia tartalmazza a kötetben található tanulmányok összes hivatkozását. Ezen túlmenôen, a további tájékozódást megkönnyítendô, tartalmazza azon bibliográfiai tételeket, amelyek a képek logikai megközelítésébe, analízisébe vágnak. Aagaard-Mogensen, L. (ed.) 1976 Culture and Art, Atlantic Highlands. Abell, C. Currie, G Internal and External Pictures. Philosophical Psychology 12, 4, Achen, S. T Symbols Around Us. New York. Ades, D Photomontage. London. Akeret, R Photoanalysis. New York, Wyden. Aldrich, V. C Is Art a Language? Journal of Philosophy 62, Aldrich, V. C. 1968a Visual Metaphor. Journal of Aesthetic Education 2, 1, Aldrich, V. C. 1968b Mothersill and Gombrich on the Language of Art. British Journal of Aesthetics 8, 4, Aldrich, V. C Form in the Visual Arts. British Journal of Aesthetics 11, 3, Aldrich, V. C. 1975a Picturing, Seeing and the Time-Lag Argument. Canadian Journal of Philosophy 4, 3, Aldrich, V. C. 1975b Pictures and Persons. Review of Metaphysics 28, 4, Aldritt, K The visual imagination of D.H. Lawrence. London, Edward Arnold. Allen, P. T The Class Imagery of Traditional Proletarians. British Journal of Sociology 35, 1, Allén, S. (ed.) 1989 Possible Worlds in Humanities. Arts and Sciences. New York, Walter de Gruyter. Alpers, S The Art of Describing. Chicago, Chicago University Press. Altbäcker, V Vadászat keresôképpel képi memória a táplálékszerzésben. (kézirat) Altieri, Ch Act and Quality. Amherst, University of Massachusetts Press. Altrichter, F Megjegyzések az észlelés filozófiai fogalmáról. Magyar Filozófiai Szemle 16, 1, Andrew, J. I Communication and Meaning. Synthese Lib. No Andrew, J. D Concepts in Film Theory. Oxford, Oxford University Press. Andrews, E A Manual for Drawing and Painting. Hodder and Stoughton. Aquila, R Imagination as a Medium in the Critique of Pure Reason. Monist 72, 2,

2 408 A SOKARCÚ KÉP Arbib, M. A Levels of Modeling of Mechanisms of Visually Guided Behavior. Behavioral and Brain Sciences 10, Armstrong, D. F. Stokoe W. C. Wilcox, S. E Gesture and the Nature of Language. Cambridge, Cambridge University Press. Arnheim, R Visual Thinking. Berkeley, University of California Press. Arnheim, R Enthropy and Art. University of California Press. Arnheim, R Toward a Psychology of Art. Collected Essays. Berkeley Los Angeles, University of California Press. Arnheim, R On the Nature of Photography. Critical Inquiry 1, 1, Arnheim, R Style as a Gestalt Problem. Journal of Aesthetics and Art Criticism 39, 3, Arnheim, R The Power of the Center. A Study of Composition in the Visual Arts. California University Press. Arrell, D What Goodman Should Have Said about Representation. Journal of Asthetics and Art Criticism 46, 1, Aschenbrenner, K The Concept of Coherence in Art. Dordrecht, Reidel. Atema, J. Derby, Ch Ethological Evidence for Search Images in Predatory Behavior. Sensory Functions. Advances Physiological Sciences 16, eds.: Grastyán, E. Molnár, P., Budapest, Pergamon Akadémiai. Atherton, M. Hecht H. Schwartz, R. (eds.) 2003 Looking into Pictures. An Interdisciplinary Approach to Pictorial Space. MIT Press. Austin, J. L How to do Things with Words. Oxford University Press. Austin, J. L Tetten ért szavak. A Harvard Egyetemen 1955-ben tartott William James-elôadások. Sajtó alá rendezte Urmson, J. O., Budapest, Akadémiai. Avery, Th. E Interpretation of Aerials Photographs. Minneapolis, Burgess Pub. Co. Bach, K Part of What a Picture Is. British Journal of Aesthetics 10, Bacon, J The Logical Form of Perception Sentences. Synthese 41, Bacsó, B Az esztétikai tapasztalat rehabilitációja két kép példáján. Medvetánc 1, Bacsó B. (szerk) 1993 Kép Képiség. Athenaeum I, 4. Bacsó B. (szerk.) 1997 Kép, fenomén, valóság. Budapest, Kijárat. Baer, E The Unconscious Icon. Topology and Tropology. Iconicity, ed.: Bouissac, P., Bal, M Word and Image, Visual Poetics, and Comparative Arts. Semiotica. Ballo, G The Critical Eye. A New Approach to Art Appreciation. G.P. Putman s Sons. Baird, M. Z. Kelly, M. D A Paradigm for Semantic Picture Recognition. Pattern Recognition, June. Bann, S Experimental Painting Construction, Abstraction, Destruction, Reduction. London, Studio Vista I. Bann, S Abstract Art a Language? Towards a New Art. Essays on the Background to Abstract Art Tate Gallery. Bann, S. Hunt, J. D. (eds.) 1988 Maps and Mapping. Word & Image, 4, 2,

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