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1 BIBLIOGRÁFIA Ez a válogatott bibliográfia tartalmazza a kötetben található tanulmányok összes hivatkozását. Ezen túlmenôen, a további tájékozódást megkönnyítendô, tartalmazza azon bibliográfiai tételeket, amelyek a képek logikai megközelítésébe, analízisébe vágnak. Aagaard-Mogensen, L. (ed.) 1976 Culture and Art, Atlantic Highlands. Abell, C. Currie, G Internal and External Pictures. Philosophical Psychology 12, 4, Achen, S. T Symbols Around Us. New York. Ades, D Photomontage. London. Akeret, R Photoanalysis. New York, Wyden. Aldrich, V. C Is Art a Language? Journal of Philosophy 62, Aldrich, V. C. 1968a Visual Metaphor. Journal of Aesthetic Education 2, 1, Aldrich, V. C. 1968b Mothersill and Gombrich on the Language of Art. British Journal of Aesthetics 8, 4, Aldrich, V. C Form in the Visual Arts. British Journal of Aesthetics 11, 3, Aldrich, V. C. 1975a Picturing, Seeing and the Time-Lag Argument. Canadian Journal of Philosophy 4, 3, Aldrich, V. C. 1975b Pictures and Persons. Review of Metaphysics 28, 4, Aldritt, K The visual imagination of D.H. Lawrence. London, Edward Arnold. Allen, P. T The Class Imagery of Traditional Proletarians. British Journal of Sociology 35, 1, Allén, S. (ed.) 1989 Possible Worlds in Humanities. Arts and Sciences. New York, Walter de Gruyter. Alpers, S The Art of Describing. Chicago, Chicago University Press. Altbäcker, V Vadászat keresôképpel képi memória a táplálékszerzésben. (kézirat) Altieri, Ch Act and Quality. Amherst, University of Massachusetts Press. Altrichter, F Megjegyzések az észlelés filozófiai fogalmáról. Magyar Filozófiai Szemle 16, 1, Andrew, J. I Communication and Meaning. Synthese Lib. No Andrew, J. D Concepts in Film Theory. Oxford, Oxford University Press. Andrews, E A Manual for Drawing and Painting. Hodder and Stoughton. Aquila, R Imagination as a Medium in the Critique of Pure Reason. Monist 72, 2,

2 408 A SOKARCÚ KÉP Arbib, M. A Levels of Modeling of Mechanisms of Visually Guided Behavior. Behavioral and Brain Sciences 10, Armstrong, D. F. Stokoe W. C. Wilcox, S. E Gesture and the Nature of Language. Cambridge, Cambridge University Press. Arnheim, R Visual Thinking. Berkeley, University of California Press. Arnheim, R Enthropy and Art. University of California Press. Arnheim, R Toward a Psychology of Art. Collected Essays. Berkeley Los Angeles, University of California Press. Arnheim, R On the Nature of Photography. Critical Inquiry 1, 1, Arnheim, R Style as a Gestalt Problem. Journal of Aesthetics and Art Criticism 39, 3, Arnheim, R The Power of the Center. A Study of Composition in the Visual Arts. California University Press. Arrell, D What Goodman Should Have Said about Representation. Journal of Asthetics and Art Criticism 46, 1, Aschenbrenner, K The Concept of Coherence in Art. Dordrecht, Reidel. Atema, J. Derby, Ch Ethological Evidence for Search Images in Predatory Behavior. Sensory Functions. Advances Physiological Sciences 16, eds.: Grastyán, E. Molnár, P., Budapest, Pergamon Akadémiai. Atherton, M. Hecht H. Schwartz, R. (eds.) 2003 Looking into Pictures. An Interdisciplinary Approach to Pictorial Space. MIT Press. Austin, J. L How to do Things with Words. Oxford University Press. Austin, J. L Tetten ért szavak. A Harvard Egyetemen 1955-ben tartott William James-elôadások. Sajtó alá rendezte Urmson, J. O., Budapest, Akadémiai. Avery, Th. E Interpretation of Aerials Photographs. Minneapolis, Burgess Pub. Co. Bach, K Part of What a Picture Is. British Journal of Aesthetics 10, Bacon, J The Logical Form of Perception Sentences. Synthese 41, Bacsó, B Az esztétikai tapasztalat rehabilitációja két kép példáján. Medvetánc 1, Bacsó B. (szerk) 1993 Kép Képiség. Athenaeum I, 4. Bacsó B. (szerk.) 1997 Kép, fenomén, valóság. Budapest, Kijárat. Baer, E The Unconscious Icon. Topology and Tropology. Iconicity, ed.: Bouissac, P., Bal, M Word and Image, Visual Poetics, and Comparative Arts. Semiotica. Ballo, G The Critical Eye. A New Approach to Art Appreciation. G.P. Putman s Sons. Baird, M. Z. Kelly, M. D A Paradigm for Semantic Picture Recognition. Pattern Recognition, June. Bann, S Experimental Painting Construction, Abstraction, Destruction, Reduction. London, Studio Vista I. Bann, S Abstract Art a Language? Towards a New Art. Essays on the Background to Abstract Art Tate Gallery. Bann, S. Hunt, J. D. (eds.) 1988 Maps and Mapping. Word & Image, 4, 2,

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5 BIBLIOGRÁFIA 411 Blizek, W An Institutional Theory of Art. British Journal of Aesthetics 14, Block, N. (ed.) 1980 Readings in philosophy of psychology, I II. London, Methuen. Block, N. (ed.) 1981 Imagery. Cambridge, MIT Press. Block, N Mental pictures and cognitive science. Philosophical Review 92, Blocker, H. G The Language of Art. British Journal of Aesthetics 14, 2, Blocker, H. G. 1977a Picture and Photograph. Journal of Aesthetics and Art Criticism, Winter. Blocker, H. G. 1977b A New Look at Aesthetic Distance. British Journal of Aesthetics 17, 3, Blocker, H. G Philosophy of Art. New York, Charles Schribner s Sons. Bobrow, D. G. Collins, A. (eds.) 1975 Representation and Understanding. New York, Academic Press. Boehm, G. (ed.) 1994 Was ist ein Bild? München, Wilhelm Fink Verlag. Bogardus, R. F Pictures and Texts. The Collaboration between Henry James and Alvin Langdon Coburn. Ann Arbor, Michigan, UMI Research Press. Bongard, M Pattern Recognition. New York, Spartan Books. Booth-Clibborn, E. Baroni, D The Language of Graphics. New York, Harry N. Abrams. Borchert, J Analysis of Historical Photographs. A Method and a Case Study. Studies in visual communication 7, 4, Bouissac, P Iconicity and Pertinence. Iconicity, Bourdieu, P Outline of a Sociological theory of Art Perception. International Social Science Journal 20, Bourdieu, P Outline of a Theory of Practice. Cambridge, Cambridge University Press. Bowman, W. J Graphic Communication. New York, John Wiley. Brady, E Imagination and the Aesthetic Appreciation of Nature. Journal of Aesthetics and Art Criticism 56, Braitenberg, V Vehicles. Experiments in Synthetic Psychology. Cambridge, MIT Press. Brentlinger, A. F Nelson Goodman s Languages of Art. Massachusetts Review, Winter, Brillant, R Visual narratives. Storytelling in Etruscan and Roman Art. Ithaca London, Cornell University Press. Brody, J. J Mimbres Painted Pottery. Albuquerque, University of New Mexico Press. Broekhuizen, R. J Graphic Communication. Bloomington, McKnight Career Publications. Bronowski, J. 1978b The Origins of Knowledge and Imagination. Yale University Press. Brook, D Painting, Photography, and Representation. Journal of Asthetics and Art Criticism 42, 2,

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7 BIBLIOGRÁFIA 413 Carrier, D Art without Its Objects? British Journal of Aesthetics 19, 1, 53. Carrier, D Ekphrasis and Interpretation. Two Modes of Art History Writing. British Journal of Aesthetics 27, 1, Carroll, N Art, Practice, and Narrative. Monist 71, 2, Carroll, N The Philosophy of Horror or Paradoxes of the Heart. New York. Routledge. Carroll, N Mimesis as Make-Believe. A Critical Study. Philosophical Quarterly 45, Carroll, N Defining the Moving Image. In his Theorizing the Moving Image. Cambridge, Cambridge University Press. Carroll, N A Philosophy of Mass Art. Oxford. Clarendon Press. Carroll, N Film, Emotion, and Genre. Passionate Views. Film, Cognition, and Emotion, eds.: Plantinga, C. Smith, G. M., Baltimore, The Johns Hopkins University Press. Carter, C Painting and Language. A Pictorial Syntax of Shapes. Leonardo 9, 2, Casey, E Imagining. A Phenomenological Study. Indianapolis, Indiana University Press. Cavell, S The World Viewed. Reflections on the Ontology of Film. New York, Viking Press. Charlton, W Aesthetics. London, Hutchinson. Charniak, E A Framed Painting. The Representation of a Common Sense Fragment. Cognitive Science 1, Chase, W. G. (ed.) 1973 Symposium on Cognition. Visual Information Processing. New York, Academic Press. Chiari, J Art and Knowledge. London, Paul Ekk. Chipp, H. B Theories of Modern Art. Berkeley, University of California Press. Chomsky, N Rules and Representations. New York, Columbia University Press. Christopherson, R. 1974a Making Art with Machines. Photography s Institutional Inadequacies. Urban Life and Culture 3, Christopherson, R. 1974b From Folk Art to fine Art. A Transformation in the Meaning of Photographic Work. Urban Life and Culture 3, Clark, A Is Music a Language? Journal of Asthetics and Art Criticism 41, 2, Clark, H. H. Chase, W. G On the process of comparing sentences against pictures. Cognitive Psychology 3, Clark, K Moments of Vision. London, John Murray. Clark, R Old Foundations for a Logic of Perception. Synthese 33, Clark, T. J Image of the People. Gustave Courbet and the 1848 Revolution. London, Thames and Hudson. Clines, F. X Images. The New York Time Magazine. October 14. Close, D More on Epistemic-Seeing. Mind 89, 353. Clower, M. B Transformational Grammars and the Organization of Pictures. Automatic Interpretation and Classification of Images. New York, Academic Press. Coburn, R. C Intntionality and Perception. Mind 85, 337.

8 414 A SOKARCÚ KÉP Coe, B The History of Movie Photography. London, Ash and Grant. Coke, V. D The Painter and the Photograph; from Delacroix to Warhol. Albuquerque, University of New Mexico Press. Cohen, B. Murphy, G. L Models of Concepts. Cognitive Science 8, Cohen, J Whither Visual Representations? Whither Qualia. Behavioral & Brain Sciences 24, 5, Cohen, T The Possibility of Art. Remarks on a Proposal by Dickie. Philosophical Review 82, 1, Cohen, T What s Special about Photography? Monist 71, 2, Collins, A. (ed.) 1975 Representation and Understanding. New York, Academic Press. Conway, W.M. (ed.) 1958 A. Dürer s Writings. London, Peter Owen Ltd. Cook, A Image as a Norm. Some Problems. Journal of Aesthetics and Art Criticism 38, 3. Cook, R The Tree of Life. Images of the Cosmos. London. Cooper, W. E Is Art a Form of Life? Dialogue 24, Corcoran, D. W. J Pattern Recognition. Penguin. Cordwell, J. (ed.) 1974 The Visual Arts. Plastic and Graphic. World Anthropology. Mouton. Cornfield, J The Photo Illustration. New York, Crowell. Cornsweet, T. N Visual Perception. New York London, Academic Press. Cotton, J. W. Klatzky, R. L Semantic Factors in Cognition. Hillsdale, Erlbaum. Crawford, D Kant s Theory of Creative Imagination. Essays in Kant s Aesthetics, eds.: Cohen, T. Guyer, P., Chicago, University of Chicago Press. Crick, P The Three Paradoxes of the Photograph. British Journal of Aesthetics 16, 3, Crowther, P Art and Autonomy. British Journal of Aesthetics, 21. Crowther, P Merleau-Ponty. Perception into Art. British Journal of Aesthetics 22, 2, Crowther, P The Experience of Art. Some Problems and Possibilities of Hermeneutic Analysis. Philosophy and Phenomenological Research, 43, Cruri, Ch.A Real-Time Computer Animation. Information Processing, 74. Cunningham, S Representation. Rorty vs. Husserl. Synthese 66, Curd, M Showing and Taking, can the Difference between Right and Left be explained in Words. Ratio 26, 1, 63. Currie, G. 1995a Image and mind. Film, philosophy and cognitive science. Cambridge, Cambridge University Press. Currie, G. 1995b Imagination and Simulation. Aesthetics Meets Cognitive Science. Mental Simulation. Evaluations and Applications, eds.: Davies, M. T. Stone, T., Oxford, Blackwell. Currie, G The Paradox of Caring. Fiction and the Philosophy of Mind. Emotion and the Arts. eds.: Hjort, M. Laver, S., New York and Oxford, Oxford University Press. Currie, G Pretence, Pretending and Metapresenting. Mind and Language 13,

9 BIBLIOGRÁFIA 415 Currie, G Imagination and Make-Believe. Routledge Companion to Aesthetics, eds.: Gaut, B. Lopes, D. M. McIver, London. Routledge. Curtis, B. L Teaching Children to Paint. British Journal of Aesthetics 12, 1, Dagognet, F Philosophie de l image. Paris, Vrin. Dainty, J. C. Shaw, R Image Science. (Principles, analysis and evaluation of photographic-type imaging processes.) London New York, Academic Press. Daley, P. M Emblem Theory. Recent German Contributions to the Characterization of the Emblem Genre. Nedeln Lichtenstein, Wolfenbütterer Forschungen 9. Damisch, H Semiotics and Iconography. Times Literature Supplementary 72, Damish, H Sur la sémiologie de la peinture. Milan, Congress of the International Assembly of Semiotics. Danto, A. C Artworks and Real Time. Theoria 34, Danto, A. C The Transfiguration of Commonplace. Journal of Aesthetics and Art Criticism 33, Danto, A. C Moving Pictures. Quarterly Review of Film Studies 4, 1, Danto, A. C The Transfiguration of the Commonplace. A Philosophy of Art. Cambridge, Harvard University Press. Danto, A. C Depiction and Description. Philosophical and Phenomenological Research 43, 1, Danto, A. C. 1986, The Philosophical Disenfranchisement of Art. New York, Columbia University Press. Davies, S Definitions of Art. Ithaca, New York, Cornell University Press. Davis, H. Walton, P Language, Image, Media. London, Blackwell. Davis, Wh Replication and Depiction in Paleolithic Art. Representations 19, Deely, J Idolum. Archeology and Ontology of the Iconic Sign. Iconicity, ed.: Bouissac, P., De Lucio Meyer, J Visual Aesthetics. New York, Harper and Row. Dean, J. T Getting a Good View of Depition. Film-Philosophy 3, 26. Deregowski, J. B Pictorial Perception and Culture. Scientific American 227, Derrida, J La Vérité en Peinture. Paris, Flammarion. Devitt, M Designation. New York, Columbia University Press. Dickie, G Defining Art. American Philosophical Quarterly 6, 3, Dickie, G Aesthetics. An Introduction. New York, Pegasus. Dickie, G Art and the Aesthetic. An Institutional Analysis. Ithaca, Cornell University Press. Dickie, G A Response to Cohen. The Actuality of Art. Aesthetics. A Critical Anthology, eds.: Dickie, G. Sclafani, R. J., New York, St. Martin s Press, Dickie, G The Art Circle. A Theory of Art. New York, Haven Publications.

10 416 A SOKARCÚ KÉP Dickie, G Evaluating Art. British Journal of Aesthetics 25, 1, Dieterle, B Erzählte Bilder, Zum narrativen Umgang mit Germälden. Marburg, Hitzeroth. Dilworth, J Varieties of Visual Representation. Canadian Journal of Philosophy 32, 2, Dittey, T. J Essentialism and the Definition of Art. British Journal of Aesthetics 13, 2, Dlab, V. Gabriel, P. Michler, G. (eds.) 1986, Representation Theory, 1. Finite dimensional algebras. Berlin, Springer. Dodgson, C Albrecht Dürer. London, The Medici Society. Dodwell, P. C Visual Pattern Recognition. New York, Holt-Rinehart and Winston. Dondis, D. A A Primer of Visual Literacy. Cambridge, Mass., MIT Press. Donnel, C.A The Problem of Representation and Expressionism in Post-Impressionist Art. British Journal of Aesthetics 15, 3, Donnel-Kotrozo, C Representation and Expression. A False Antinomy. Journal of Aesthetics and Art Criticism 39, 2, Dow, H. J Alex Colville as Image-Maker. British Journal of Aesthetics 12, 3, Dretske, F. I Seeing and Knowing. Chicago, Chicago University Press. Dretske, F. I Simple Seeing. Body, Mind, and Method, eds.: Gustafson, D.F. Tapscott, B.L., Dordrecht, Reidel, Dudley, A. J The Major Film Theories. An Introduction. London, Oxford University Press. Duncan, H. F. Gourlay, N. Hudson, W. M A Study of Pictorial Perception among Bantu and White Primary School Children in South Africa. Johannesburg, Witwatersrand University Press. Eaton, M Truth in Pictures. Journal of Aesthetics and Art Criticism 39, 1, Eberle, R. A Goodman on Likeness and Differences of Meaning. Erkenntnis 12, Eco, U Introduction to a Semiotics of iconic Signs. Versus 2, Eco, U Critique of Iconism. A Theory of Semiotics. Bloomington, Indiana University Press, Eco, U. Sebeok, Th. (eds.) 1983, Sign of Three. Bloomington, Indiana University Press. Eco, U Mirrors. Iconicity, ed.: Bouissac, P., Ehmer, H. K. (hrsg.) 1971 Visuelle Kommunikation. Beiträge zur Kritik der Bewustseinsindustrie. Köln, M. Du Mont. Elgin, C With Reference to Reference. Indianapolis, Hackett. Elgin, C. Z Representation, Comprehension, and Competence. Social Research 51, Winter, Elithorn, A. Banerji, R. (eds.) 1984 Artificial and Human Intelligence. North-Holland. Elkins, J. 1993a From Original to Copy and Back Again. British Journal of Aesthetics 33, 2, Elkins, J. 1993b On Monstrously Ambiguous Paintings. History and Theory,

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