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± ± ƒ ± ± ± The Library Block is designed to accommodate an outdoor extension of the Library program area. The exibility of the streetscape allows for gathering space as well as more intimate places to encourage outdoor activity by the different users of the Library and nearby business located along this stretch. The eastern edge also provides a formal gateway into Dundas Place and the Main Street Block Typology. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ

± ± ± ± This stretch of Dundas Place is designed to be an activity driven space, looking to encourage music and the arts. Building on the program of the Music Hall, the Marquee will act as stage and facilitate events on a larger scale. The connection to the VIA Station will also draw people into Dundas Place by creating an added destination, demarcated by an interesting terminus to the viewshed. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ

± ± ± é ± The Kingsmill Block is designed to serve several purposes including providing informal outdoor space for Fanshawe College, as well as an extension of Market Lane, linking to the Covent Garden Market. This block will provide strong visual and physical connectivity to the College and promote a balance between indoor and outdoor activities. The Kingsmill s Block also marks the beginning of the Main Street Block typology and acts as a gateway to a new condition for Dundas Place. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ

± ± ± Through the Event Block the design creates an outdoor room which extends the programming of Budweiser Gardens. The proposed planters along the north-side of the street will support robust tree planting, creating a backdrop of light and colour for activities along the south-side. The streetscape along the edge of Budweiser Gardens will be opened up and allow pedestrian ow at peak times. Periodic patio spaces are highlighted by the clustering of metal art trees. This will be tied together by a unique and thematic paving pattern giving this block strong vibrancy and energy. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ

± ± Through this stretch, Dundas Place looks to connect the City to its most important amenity, the Thames River. The wide promenade links the existing parks with new destinations surrounding Museum London, allowing for more formal outdoor exhibit and gathering spaces. The concept is exible and incorporates the Transitway, and is designed to integrate the Back to the River Design Competition Vision. The Shift and Back to the River environmental assessments will review this further. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ

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± ± ƒ ± ± ± The Library Block is designed to accommodate an outdoor extension of the Library program area. The exibility of the streetscape allows for gathering space as well as more intimate places to encourage outdoor activity by the different users of the Library and nearby business located along this stretch. The eastern edge also provides a formal gateway into Dundas Place and the Main Street Block Typology. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ

± ± ± ± This stretch of Dundas Place is designed to be an activity driven space, looking to encourage music and the arts. Building on the program of the Music Hall, the Marquee will act as stage and facilitate events on a larger scale. The connection to the VIA Station will also draw people into Dundas Place by creating an added destination, demarcated by an interesting terminus to the viewshed. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ±

± ± ± é ± The Kingsmill Block is designed to serve several purposes including providing informal outdoor space for Fanshawe College, as well as an extension of Market Lane, linking to the Covent Garden Market. This block will provide strong visual and physical connectivity to the College and promote a balance between indoor and outdoor activities. The Kingsmill s Block also marks the beginning of the Main Street Block typology and acts as a gateway to a new condition for Dundas Place. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ

± ± ± Through the Event Block the design creates an outdoor room which extends the programming of Budweiser Gardens. The proposed planters along the north-side of the street will support robust tree planting, creating a backdrop of light and colour for activities along the south-side. The streetscape along the edge of Budweiser Gardens will be opened up and allow pedestrian ow at peak times. Periodic patio spaces are highlighted by the clustering of metal art trees. This will be tied together by a unique and thematic paving pattern giving this block strong vibrancy and energy. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ±

± ± Through this stretch, Dundas Place looks to connect the City to its most important amenity, the Thames River. The wide promenade links the existing parks with new destinations surrounding Museum London, allowing for more formal outdoor exhibit and gathering spaces. The concept is exible and incorporates the Transitway, and is designed to integrate the Back to the River Design Competition Vision. The Shift and Back to the River environmental assessments will review this further. ± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ

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± ± ƒ ± ± ± ± ƒ ± ƒ Ò ± ± ± ± ± Ò ± Ò 6 ± ± ƒ ± ±ƒ ± ± ƒ ± ± ± ± ± ƒ ± ± ƒ ± ± ± ±± ± ƒ ± ± ± ± ± ± ƒ ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ä ±ƒ ± ƒ ± Ò ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ä ƒ ± ä ± ƒ ± ± ± ± ƒ ± ƒ ƒ ± ƒ ± ± Ò ± Ò ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± Ò ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± Ò ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ƒ ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ƒ ± ± ± ± ƒ ± ± ƒ

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ƒ ± ± ± ± ± ± ƒ ± ± ± ± ± ± ±± ± ± ƒ ± ƒ ± ± ç ± å ± ± ±é ± ƒ ± ± ± ± ± ± ± ± ± ± ± ƒ ƒ ± ± ± ± ± ƒ ± ± ± ± ±± ƒ ± ± ± ± ± ± ± ± ± ± Ò ± ± ± ƒ ± ± Ò ± ± ± Ò ƒ ± ± ± ± ± ± ± ±± ± ± ± ± ± ± ƒ ƒ ± ä ± ƒ ± ± ± ± ± ç ± å Ò ƒ ± ± ± ± ± ± ± ± é ± ƒ ± ƒ ± ± ± ± ± ± ±± ± ± ± ± ± ± ± ± ± ± 6 ± ± ± ƒ ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ƒ ± ± ƒ

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ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ç å ± ± ± ± ± ä ±é ± ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ä ± ± ± ± ± ± ± ± 8 ± ± ± ± ± ± ± ± ± ± ± ± ± ± ä ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ƒ ± ± ± ± ± ± ƒ ± ± ƒ

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± ± ± ± ± ± ± ƒ ± ± ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ±é ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± é ƒ ± ± ± ± ± ± ä ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ƒ ± ± ± ± ± ± ƒ ± ± ± ± ± Ò ± ƒ ± ± ± ç å ± Ò ±± ± ç å ± ƒ ± ± ± ± ± ± ± ±± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ç å ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ƒ

± ƒ ± ± ± ± ä ± ± ± ± ± ± ± ä ± ± ± ± ± ± ± ± ƒ ± ± ä ± ± ± ± ƒ ä ± ç ƒ å ç ± ± å ± ± ±Ò ± ± ± ± ± ± ± ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ƒ

± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ±± ± ±± ± ± ± ±± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ± ± ±± ± ± ± ± ± ± ±± ± ± ± ± ± ƒ ƒ ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ± ƒ ± ± ƒ ±± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ƒ ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ±± ± ± ± ± ± ± ± ƒ ± ± ± ƒ ± ± ±± ± ƒ ± ± ± ± ± ± ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± é ± ± ƒ ± ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ƒ

Special Event Organizers Mee ng ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ±± ± ± ± ± ± ± ƒ ±± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ç ± ƒå ƒ ± ç å ± ± ± ç ± å ƒ ± ± ± ± ± ± ± ç å ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ƒ ± ± ƒ

± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ƒ ± ± é ± ± ± ± ƒ ± ± ± ± ± ± ± ± ƒ ± ƒ ƒ ± ƒ ± ± é ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ƒ ± ± ± ± ± ± ± ƒ ± ± ± ƒ ± ± ± ± ± 6 ± ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ± ± Ò ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ƒ ± ± ƒ ± ± ƒ ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ƒ ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ƒ

± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± Ò ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ƒ ± ƒ ± ± ± ± ƒ ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ±Ò ± ± ± ± ƒ ± ± ± ± ƒ ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± Ò ƒ Ò ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ±

± ä ± ƒ ± ± ƒ ± ± ± ƒ ± ƒ ± ± ± ± ± ± ± ƒ ƒ ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± ± Management of Dundas Place ± ± ± ç å ± ± ƒ ƒ ± ƒ ƒ ƒ ± ± ± ± ± ± ± ƒ ƒ ± ± ƒ ± ± ± ± ± ± ± ƒ ƒ ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ƒé ç ± ± å ƒ ± ± ± ± ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ƒ ± ± ƒ ± ± ± ± ± ƒ ƒ ± ± ± ƒ ± ç ± ±å ± ƒ ± ± ± ± ± ƒ ± ± ± ± ± ± ± ± ± ± ± ± ƒ ± ƒ ± ± ± ± ± ± ± ƒ ƒ ± ± ± ± ± ± ± ± ± ± ± ä ± ± ± ± ± ƒ

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